DG, I think we are all in agreement on the whole it is what it is, not to get Zen on this topic but it all about balances out really doesn't it so who cares. On with the show (writing music).
Miklos.
Miklos.
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Well I can't contribute much on that...but I can just say that I used Mac G5 in the last 2 years and I LOVED IT, no problems except occasional RAM problem, but that could be normal in our case. I'm not hesitating in getting another Mac now, I hope they'll have the dual core with Mac, and soon! And this time I will get 3 year warrantee for sure. (What happens after that? Oh yeh, your computer is worth the same as your chair.)
Miklos,
I agree with you, seeing it was our 1st feature film and 1st time working this way (computers...) we did not look at that. But now I'm certainly not going to make the same mistake, especially now that I'm on my own.
Guy
ps How did all these posts get in while I was sleeping? [[;)]]
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Hi,DG....
1.Macs are faster for certain processes and PC for others.I'm not bothering to name people: they'd almost certainly be uknown to yourself,as they're not of any professional consequence to this thread.They are professional,though,and are qualified to comment as such.
2.Ummm,is that a joke? There are electric kettles (to name but one domestic appliance) out there now with the irritating i prefix.
3.Each to his own (poor) taste.(Joke). Personally,I wouldn't confuse peurilty with simplicity,without qualification.
Wholesale erasure is almost certainly down to user error,due to pressing an inappropriate button:but,many people would be reluctant to own up to that,especially if their job was on the line.
Where did I say I was in love with my Mac? Nowhere,actually, though it is perfectly reasonable to love something like a pet (that's not a person)or something inanimate,like a work of art. Children love toys.I think it would be odd NOT to love inamimate things.The Mac.It's a neccessary evil,which I prefer to the PC Windows-based can of worms. I admire its purity (sorry Ridley). Is Slo Tools,as you so drolly put it, a disparagement? I think it might be.
One thing,for certain:I'm very pleased to learn that your platform of choice is behaving. It's no joke being at the mercy of the machine.
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@strawinsky said:
One thing,for certain:I'm very pleased to learn that your platform of choice is behaving. It's no joke being at the mercy of the machine.
If you're pleased, then I'm pleased [:)] All I was interested in was making sure that people who read these threads see some sort of balance regarding PC and Mac. I use whatever tool is better for my purpose; in the end I don't care what it is called, who makes it or what colour it is.
As far as Protools is concerned (see I do know the real name), I suppose that I do have a bee in my bonnet, having been advised to use it in the past, and lived to regret it. A case of people assuming that well known brandnames are always superior.
DG
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Absolutely.I'm not bothered in the slightest by the impending Intel Macs.In fact I believe they will be even better.
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AHEM.... a friend has posted me this link at my request yes you guessed it (or did you?) it is the number 2 at microsoft, DISREGARDING the principle of dignity.
Check out how he says "Give it up for me"
and also notice the sweat under the arms kind of add's to things.
Now, I'm not badmouthing MS here (opinions aside), so please don't censor me moderators, this is simply a link to a clip that shows him at his keynote, unedited, HE is the star here, not anybody else and I ain't saying another word, because there are NO WORDS for this! oh and I can't help the filename not my doing.
http://users.pandora.be/bonte/forumafbeeldingen/dancemonkeyboy.mpg
I am so happy he found the link, but then, it's so bad, I forgot how bad, and actually I feel terrible.
[[:|]] [:O]ops: [:'(]
That was enough to convert me forever, and I DO care who makes the tools I use, I don't want Robert Mugabe shoes, or Osama eye glasses. If you think my comparisons are extreme then look at the video behaviour, that's a whole other kind of extreme!
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@mpower88 said:
AHEM.... a friend has posted me this link at my request yes you guessed it (or did you?) it is the number 2 at microsoft, DISREGARDING the principle of dignity.
Check out how he says "Give it up for me"
and also notice the sweat under the arms kind of add's to things.
Now, I'm not badmouthing MS here (opinions aside), so please don't censor me moderators, this is simply a link to a clip that shows him at his keynote, unedited, HE is the star here, not anybody else and I ain't saying another word, because there are NO WORDS for this! oh and I can't help the filename not my doing.
http://users.pandora.be/bonte/forumafbeeldingen/dancemonkeyboy.mpg
I am so happy he found the link, but then, it's so bad, I forgot how bad, and actually I feel terrible.
[[:|]] [:O]ops: [:'(]
Priceless [:D]
DG
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Now that is truly cringeworthy stuff. Makes Ricky Gervais and a classic episode of 'The Office' look mild in comparison.
Can't see Herb and the team doing this somehow.........!
Regards,
Alex.
[[:|]]
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All my girls had rough areas: that's why I always carry a sheet of sandpaper with me.
Oh,and that Steve Ballmer should be sacked by Microsoft for complacency.
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Interesting! I just read the legnthy thread of the Debussy "Jeux de vagues" where arguments broke out with Nafai23, William and a bunch others. I see the subject was somewhere along the lines of this thread's argument. Everybody loved the Debussy but Nafai thought it was cold and sterile, of course I don't agree with Nafia's harsh way of looking at programing music, it's not there to be compared to a real orchestra. The only part I agree with Nafia is that IF you "INSIST" on comparing it with a real orchestra, yes it does sound a bit cold, sorry folks, and don't shoot me, but for the rest I don't go along with him. We can't blame professional musians and concert musicians for making these kind of comments, after all the goal of VSL or any other librairy IS to deceive people making you believe it's NOT a machine doing all that. I just wish I could of heard the Debussy, it's not on the link anymore nor on the demo section. Too bad.
Just thought I'd put in my 2 cents.
Guy
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Guy,
I don't agree with this.
We've had some great discussions here about the value of the 'live' sound, and the intent by many to emulate a live orchestra. But to say this is a role of a sample library, an intent to deceive, then i'm not in agreement with you. The VSL, along with other sample libraries are more akin to a large instrument the composer plays. Yes, the samples are recorded by live musicians, but i think that's where the comparison should end. Although products are often marketed as orchestral replacements (and i exclude VSL from this), the fact is you can make your sample library instrument do anything you want it to, within your ability. If for example, you want an orchestral sound with 25 French Horns, or 16 Clarinets, there's nothing stopping you, only your perception of what a sample library 'should' sound like with a regular orchestra as a benchmark. Why?
Having a Sample library instrument (SLI) is akin to playing a piano or organ, as was discussed elsewhere in the forum to some length. The SLI is a natural extension or progression of that technology.
If however you want a regular orchestral sound, and you are determined to create as close to 'Orchestral live' as possible then you can strive for that too.
Either method or mentality is valid.
Regards,
Alex.
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Alex,
I'm not saying you're wrong but being what it is, what do you expect the people's response to be? If it's going to sound very close to an orchestra, even if you write a cluster of 16 horns, 99% of the time the comparason will be inevitable because the ear is use to hearing real orcheatras. You could rationalize it however you want, but the general crowd will not hear it as you do. You are not just showing this stuff to people here on the forum, but the general public, and they have the right to say it sounds like this or like that with no further explanations.
Best,
Guy
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Guy,
The aural assumption is true, and perceptions are what they are.
But, as Beethoven, Wagner, Shostakovich, Schoenberg, and a pile of others showed, stepping outside the norm is interesting in itself, and often introduces new perceptions for the general public to enjoy or not as the case may be.
I confess to a musically rebellious streak..............
Regards,
Alex.
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I with you on this one hermitage, I think if you use the VSL library and in fact all production tools like an instrument, then you are a digital musician, and it is something that is musically and creatively measurable in it's own right. I agree, that VSL can be used to compose for orchestra, to emulate, but also, to be so much more, and to break those "restrictions" as you may choose to see them, and find new and perhaps even more rich sounds and ideas that are not normally thought of. And of course, as you say, both view points are entirely and equally valid, though I subscribe to the digital musician viewpoint myself, since I haven't been associated with a traditional orchestra, and it's also a more relevant stance for me creatively.
Miklos.
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Guy,
You're wrong. 100% of the time there will be comparisons. That's the way it works.
So you act according to your aesthetic and who cares? Your intended audience (if you're lucky). Do it well enough and people will be interested enough to alter their paradigm to be more in line with yours.
ALL listeners will make comparisons.
MOST listeners, on the other hand, have no idea if they're listening to an english horn, an oboe, or a bassoon but they'll STILL make comparisons. They're going to make associations that are inconceivable at times (mistaking a clarinet for an oboe, or Kenny G for a jazz musician, for instance). The directors I work with who are musically more literate are so much more fun to work for. These people understand that with live musicians the score will sound better, though very similar (as an example).
For those who don't understand, however, reality is not a concern. The demo MUST be the final mix, though. Those clients need to hear it all nice and pretty, and who cares if the voice leading isn't perfect or if a real orchestra would have 16 clarinets. Even then they can say that the music sounds too ORANGE and then what do you do? Is that when you think about how real something sounds?
Orchestras are real. Samples are real. Synths are real. Real is real.
VSL is a tool that can sound real or not. Sometimes the gig needs to sound real, sometimes it's not a priority. Rationalizations aside, EVERYONE will hear the music differently than you do. Even your co-composers (if you're part of a team).
And that's the beauty.
Lastly, William made a great point when he said that we're comparing VSL to the greatest orchestras in the world with the greatest conductors in the world with the biggest budgets in the world that are recorded with the finest microphones in the world controlled by the greatest recording engineers in the world in the finest concert halls in the world backed by the best record labels in the universe...
The Debussy mockup is scary. Period. Any of us would be a lottery winner if we could get a performance like that out of an orchestra.
I've have sessions of real orchestras that SUCK in comparison to my mockups. And this was pre-VSL! We're talking tons of wrong notes, ugly out of tune timbres, and parts that just were not there!
Guy, I don't believe that people are out to get you here but your line of reasoning indicates that you are unaware of a great deal of soundware history and development of this sample stuff, though your description of your career indicates otherwise. This makes intelligent discussion frustrating from the point of view of other more experienced VSL users.
It would seem as if you claimed you were a native of Houston, Texas, but drove all your friends crazy by complaining that it was hot and humid and why can't the government hurry up and develop technology so we can have our own climate controlled body suits but its O.K. because this is just your opinion even though climate issues have been talked to death already but you'd rather not bother looking for these threads and why is everybody upset they're acting like you weren't paying attention when all this went down the first time...
Clark