-
Apologies, I got my wires crossed somewhere, I vaguely remember hearing somewhere on here that Dimension Woodwinds wouldn't be necessary, and must have confused that with Herb's comments in the Dimension Strings interview about the differences in chord arrangements for woodwinds.
All I could suggest is that I'd love to see one or two video tutorials with Guy taking us through the process of making one of his demos, from start to finish, so that we could see not just articulation choices, but also mixing and workflow, and I could hopefully work out why his pieces sound so much better than mine...
Pyre
AMD Ryzen 7 3700X 8-Core 3.59Mhz Processor, 64 GB RAM, Windows 10.0.19045, Cubase 10.5.20, Sibelius 7, VEP 5.4.16181, VIP 2.4.16399, Symphonic Cube, MIR Rooms 1-5, Suite, Choir, Organ, Imperial, Solo Voices, Dimension Strings, Historic Winds, World Winds -
@Pyre said:
Apologies, I got my wires crossed somewhere, I vaguely remember hearing somewhere on here that Dimension Woodwinds wouldn't be necessary, and must have confused that with Herb's comments in the Dimension Strings interview about the differences in chord arrangements for woodwinds.I didn't mean to imply that Herb never said this, apologies! Just that I don't recall the source of the comments we're discussing.
-
As far as wish-lists go... some extended techniques for any of the string libraries would be a lovely evolution. And with respect to a "Beat Kaufmann" switch, an algorithm, or algorithms, for analyzing phrases for figures, period structure, arsis-thesis structures, etc. might provide a way to auto-assign articulations. A learning system could infer a composer's style and provide custom assignments based analysis of previous works and their signatures, a la the work of David Cope. None of this is science fiction anymore!
-
@jhstrong said:
I wouldn't be surprised if they finally released the strings as DL Insturments. They've covered pretty much everything from the major collections to individual instruments, so I'm feeling like it might be time for the Solo Strings to become DL Instruments.
They already are DL instruments, aren't they? I downloaded all of DS.
-
Here are my suggestions:
A violin section where the bowing uses different directions while playing various sustained notes and legato. For example: if you have 14 players, 7 would play legato and/or sustain up-bow and the other 7 players would play down-bow.
I would love to have open strings for solo, chamber, and orchestral strings.
While I am dreaming I will suggest Baroque instruments.
-
Another month of Discounts !
But, still nothing new announced [:^)]
Maybe Sept. ? or Oct. ? ..... or 2015 ? ... ?
-
@esperlad said:
For example: if you have 14 players, 7 would play legato and/or sustain up-bow and the other 7 players would play down-bow.
I would love to have open strings for solo, chamber, and orchestral strings.
Well, one of your dreams has come true. Dimension Strings has open strings, and the option to automatically "force" them or avoid them as you wish.
As for your other request, I don't see why you would want your players to use different bowing from one another. So much of string bowing is cenetered around the most natural way to play a line, and any good conductor would keep that mostly consistent. Sure you'll have one or two players who sometimes feel more comfortable bowing differently, but that's the exception, not the rule, and most lines have a very obvious natural rhythm to a string player. Downbeats will tend to suggest a stronger downbow, upbeats will tend to suggest a lighter upbow, if there's a longer sustained note coming up they'll alter their bowing to prepare for it, etc. Rather than to make an option where half the players use a downbow vs the other players using an upbow, I'd love to see an option to control the starting bow and the bowchanges thereafter. The difference is subtle but it could potentially breathe some more life into the samples. In my opinion it's too subtle to really worry much about, though.
-
Will we see new and exciting VSL products in Sept. ? or just another discount offer ?
-
Before Vienna Imperial, I don't think there was much discussion about the benefit of 100 velocity layers, but of course the result is astonishing. Perhaps we'll see orchestral instruments with more velocity layers, although it was necessary to have a machine play the Boesendorfer to get the velocities accurate enough- so I don't see so many layers in the near future. With Dimension instruments it's possible to simulate the effect of intermediate velocities, but it would be fascinating to hear what more layers would do for the solo instruments.
I'd love to know what's going on behind the scenes at the moment.
-
While you can't do exactly one section at a time, it IS possible to make three payments at Sweetwater. It's been a very convenient way for me to buy things in the past!
As for open strings, the Solo Strings Extended library has non-vibrato samples, I'd use those where I want open strings.
Forum Statistics
200,697 users have contributed to 43,206 threads and 259,116 posts.
In the past 24 hours, we have 1 new thread(s), 7 new post(s) and 68 new user(s).