I understand, that copy protection is always an important point to consider.
And the discussion of giving in to piracy at some point, because you can´t fight it anyway, has filled tons of postings in computer forums, without much result.
So far so good.
But every producer should focus on its core customer base. So if I were VSL I would ask myself which percentage of sales is going to:
a) "professional" users . I assume that in this group there is only a very minor fraction to even consider hacked software, and be it only for legal reasons.
b) "semiprofessional" users, who don´t work full time in the music business. I assume that in this group people using "warez" stuff is stil very low.
c) "hobby musicians",who don´t make money from it, but take their hobby more or less serious. I would think that even here most people would only use legal software. And may it be only for "ethical" or moral reasons.
d) " on the fly users". The kind of guy using his Apple i-phone with a free "string APP" and who has heard about some professional library that is extremely expensive, but he might be able to download the stuff from some weird server on the Cayman Islands.
Question 1 : How many users are there from group No D ?
Question 2 :If the software is copy protected like Fort Knox and not available as a crack, how many of group No D would even think about buying it officially. So how many lost sales are there in the end.
Question 3: How many honest users don´t buy the software, although they would be willing, only because the copy protection scheme is so user unfriendly.
These questions can only be answered by VSL, because they should have the best data about the situation. ( And I would still be interested about the average failure rate of the Vienna Keys or how many typical requests are coming in).
I can only judge from a small volume of cases, but I know for sure that some people dind´t buy plug ins from e.g. Waves for about a decade, just because of the problems with their copy protection in the past. UAD, TC, Voxengo, Ohmforce etc got the money instead.
As you can read in my former postings, I´m not the one forcing VSL to leave the Synchrosoft/ Vienna Key route with brute force. I can understand their position.
And I´m in the confortable situation, that my libraries have "only" cost me a few hundred Euros. Additionally I don´t make music for my living. So if the key would break down I might be angry for a day, but it´s not a catastrophy. If the key is stolen at home because a thief broke in , I might have much bigger problems than the VSL library....
But I can absolutely understand users, that have shelled out several thousand Euros, who are worried about their investment.
In the end it is all about keeping the customers happy. So what about a nice christmas reminder next time : " Dear user -your Vienna Key is now more than 2 years old. Buy a new one and Santa Claus will bring you a nice piece of Vienna Sacher Torte to your door for free!".[:P]