Right - finally!!! [:P]
http://annecywebtv.free.fr/anm.mp3

THis is what I mean. THis is the kind of vibrato the strings (violins, violas, celli) should have!!!

Herb - please give it a try!!! You CAN do this!

Crystal, VSL is not dry... just not wet enough to be on its own space alone in most orchestral work...

And actually I don't agree static convolution is the holy grail to solve all room problems. But that might be me.

Thanks for giving some references finally. It took some time, but keep them coming [;)]

PolarBear

@Crystal said:

And last, that library doesn’t seem to belong to any sampler editor (or is there a deal between Tascam and VSL now ? Since there is a VSL set bundling with GS3...), so they can develop it for several one, and don’t have to obtain their agreement or wait their scheduling for innovations...

Regards.

Interesting theory Gabriel [[;)]]

I like very much that they're adding 2 Bb trumpets. I wish VSL would have something like that. IMO you need all the combinaitons:

1 Trumpet
2 Trumpets
3 Trumpets
4 Trumpets
1 Horn
2 Horns
3 Horns
4 Horns
6 Horns
1 Bone
2 Bones
3 Bones
4 Bones

This way you can have endless combinations of realistic solo, duet, trio, divisi, etc.

"Herb - please give it a try!!! You CAN do this!"
- Matt1

My, how condescending. But I guess you're trying to encourage Herb by acting superior, right?

Actually you would need to do it like this:

For 4 Trumpets for instance:

Trp1,
Trp2,
Trp3,
Trp4
Trps 1+2,
Trps 3+4
Trps 1+2+3,
Trps 1-4

Otherwise divisi crossing points and unisons might phase comb. But you could probably eliminate the 3 trumpet combo and just put Trp1,Trp2,Trp3 on the same note.

Too much work. I'd pay for it, but I doubt we'll see it liek this before another decade.

Evan Evans

If you have the first four you don't need the second four.

@Carter said:

If we can perform the first cue with VSL this is very good, i should give it a try but since i don't know the whole orchestration... [[:)]] this will be difficult.

You know, HZ has Lexicon Reverbs ... now, two TC System 6000. I'm trying one of this unit ... now I know how "easy" you can create a good sound. [[:)]]

@William said:

"Herb - please give it a try!!! You CAN do this!"
- Matt1

My, how condescending. But I guess you're trying to encourage Herb by acting superior, right?

woa hey! I dident read it as condescending at all! And I'm sure it isen't written like that either. Chill man [H]

William you are off the deep end baby. Calm down.

@William said:

If you have the first four you don't need the second four.

There is no SECOND four. Can you clarify?

Evan Evans

@Matt 1 said:

Right - finally!!! [:P]
http://annecywebtv.free.fr/anm.mp3

THis is what I mean. THis is the kind of vibrato the strings (violins, violas, celli) should have!!!

Herb - please give it a try!!! You CAN do this!

I hope you realize that Hans Zimmer uses multitracking approaches to orchestral recordings? He records brass and strings separately, along with his mockup tracks. Often his brass and strings are combinations of recordings (stacked even?) and samples. Although I like his stuff, I would not use it as examples of orchestral recordings....

@Carter said:

this is what i call epic strings imo :

http://annecywebtv.free.fr/mus/fditds.mp3

http://annecywebtv.free.fr/anm.mp3

And you can say everything, there is nothing else but violins, cellos/basses, and of course some brass, may be some woodwinds, but i doubt they take a large part in that strings sound
if somebody can achieve a violin sound like that with VSL so, tell us [:)]

An interesting subject by all means. I think that "epic strings" is really a subjective term. If I had to pick between Carter´s two clips, I definite would choose the Star Wars clip from Return of The Jedi. It has good instrumentation and balance, and the mix is really neutral and "honest". I simply dont like the sound of the scores in episode I and II. They are mixed/written far too polished, and it sounds more like a giant synth. But I do respect and admire John Williams work and musicianship. He is in fact one of my favourite filmmusic composer.
One of my favourite "epic string" pieces are Richard Strauss "Von den Hinterweltlern" ( from "Also sprach Zarathustra", Op.30) after the introducing tremolos and pizzicatos, where those delicious strings starts their "espressivo" effort (especially the cellos do realy shine)
But to if one need to get a string section to sound "epic", I think one have to not only look on the mixdown, reverb, eq etc.:

A famous but still effective cliché [:D] is for example make the cellos play in a high pitch while playing unison with the violins. hmm... maybe i´ve heard on a hollywood film somewhere....? [[;)]]

William
_____________________________________________________________________
how condescending. But I guess you're trying to encourage Herb by acting superior, right?
_____________________________________________________________________

Condescending? I do NOT think so. I am right here to say what I am thinking... and this should be positive critics to the VSL team. Since saying how wonderful everything sounds will not only help develop a product. I am very much convinced about the VSL stuff and I love it. But I am working with professionals all day long. To be honest, what the violins in some articulations sound like is not useable in their opinion...

Your statement was surprising me a lot and is almost condescending to me... in some way offending. Are you working pro, William?

Matt1,

William was off the deep end with his last posting. Funny thing is I got banned from VSL for continually pestering them at fever pitch with criticisms and suggestions, all in the name of making their product better. But they didn't want to ehar that their product needed improving. We've since revisited that and cleared that up (I got a thank you from the VSL team).

William however berates both music and people as well as things, and doesn't even get a warning. I am on my second warning SO SAYS the superiority at VSL, and my warnings for posts that actually didn't offend anyone. In fact they were quite cheerful and spirited. William on the other hand is NOT cheerful at all.

I don't see much positivity coming from his berating posts.

Evan Evans

P.S. William is an interesting fellow, but there is some hypocrisy going on here when I get banned for testing the superiority of VSL's product and William goes untouched whilst berating and otherwise being negative.

P.S.S. I don't think the VSL team, moderators here included, fully understand the English language at the level that we native speakers do. The subtleties in my posts have always been cheerful, and the subtleties of William's posts. I am just a little upset about such hypocrisy.

never mind

Evan

I meant if you had the first four listed sampled instruments, you would not need the second four of that list since they would be possible with layering. But maybe that is not what you were talking about?

@William said:

So what is your point in asking this question?

I think he was wondering if you were just a hypocrite with too much time on your hands.

He was wrong of course. [;)]

EEE

@William said:

Evan

I meant if you had the first four listed sampled instruments, you would not need the second four of that list since they would be possible with layering. But maybe that is not what you were talking about?

Um, yeah, I understand, no, I was talking about different sized combinations to be sampled. yeah if you had all 14 violins individually sampled you wouldn't need the ensemble, but I think it sounds better to sample them together.

Evan Evans

I guess everyone in this forum understood my point, William.
I will not continue arguing with you - I don't have that time [H] ... as Evan already mentioned... [[;)]]

We all should rather get a comment from VSL... if there are any plans, if they are interested in such a library - or what they think anyway about the content of this thread about the string sounds. [:)]