.....:it's the TONE.
....seems it's hard to understand. [H]
....seems it's hard to understand. [H]
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There is no arguing of how important TONE is. As good as the original HO's are - they pale in comparison to the newer Epic Horns. AND it is not just that there is twice the players. It's the tone of the Epic HO library that makes it just so good. In fact, I am certain that most would agree that the Epic Horns are the most 'alive' sounding library available from VSL.
I have the feeling that this library was labored over. Just my $.02.
Rob
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Epic HO
That sounds like a rap loving female with a remarkably grand rear end. [:D]
I totally agree with you guys about the tone issue as I already said in one post. I understand that commercial sample libraries have to work in every situation but that also means that they aren't perfect in any situation. I would love to have a string library where every note would ooze life and musicality even if I would run into problems when trying to connect certain samples together. So far no such library exists commercially. Sharmy and TJB seem to have just that and that's the reason why we are salivating.
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Rob
Sorry,Dont mean to be facetious nor factitious. But I've been achieving that sort of strings effect and more using nothing but the old roland lush "All violins" patch in midi module world. No CPU or Ram constraints.
Although I'm impressed on how you can get the VSL team to react to a performance patch. Your hard work has rendered in multitude.
Please dont forget Mozart , Beethoven and others. Only VSL has provided the tools for. Thats alot to be thankful for.
Thank you
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Rob
Sorry,Dont mean to be facetious nor factitious. But I've been achieving that sort of strings effect and more using nothing but the old roland lush "All violins" patch in midi module world. No CPU or Ram constraints.
Although I'm impressed on how you can get the VSL team to react to a performance patch. Your hard work has rendered in multitude.
Please dont forget Mozart , Beethoven and others. Only VSL has provided the tools for. Thats alot to be thankful for.
Thank you
OK, RK - you are on to me [:D]
When I need 'lush' strings I double my JV 1080 (Roland) synth with VSL (sometimes I'll use their 'expression' patch all alone.) Still has shelf life after 14 years!!!!! I can similarily get the same effect out of the Atmosphere strings. They both have their place and although somewhat limited in their use, when you just need that warm, rounded off strings sound - they do the job (with burying in the arrangement or excessive EQ).
Rob
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Rob
1.Wouldn't be nice if VSL continued their hard ernst work into applicating the VI player and giving us unlimited tracks and samples to use on any computer. Their on the right track. Maybe oneday. Maybe the other programs will catch up. Which I think will happen in this pivot year. maybe they will incorporate Alex instead of TJ
samples creator (I hope thats his initials, respectfully)
2. Wouldn't it be nice if VSL give us a propreitary preamp/ambience warm plugin to match their digital samples. Although what we hear from the 24 bit samples sound great.
Have you checked out Spectrasonic symphonic voices or their vocal planet,
absolutly the best. they are a must. They can stand up at the same level as VSL.
Although they are a few years older, 16 bit.
I hope both of our wishes happens in our liftime.
best regards .
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Yes and the amazing thing about Eric's (Spectrasonics) SOV is that it is at least 8-10 years old. That man has the 'golden touch'. I have yet to hear anything he has done for Roland or Spectrasonics that wasn't VERY useful in many different genres of music.
Rob
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Just listened to it - Very nice piece.....quite wet though IMHO - hides a multitude of sins....but very very nice none the same - also goes with out saying (so I'll say it anyway [:D] ) - the writing is good - all these factors (along with the room noise - nice touch!) add up to fool the ear.
My partner and I (my partner is a recording engineer) have been experimenting with the whole realsim thing. When we get the strings in an ENVIROMENT (ie a room then a hall) obviously everything takes on a different perspective and we find that sometimes slipping in other string samples WITH the VSL library - sometimes eq'd to shit and tuned sharp - gives us that 'shimmer' that a real section has....solo the additional samples on their own and they sound awful!!! - but in the blend and with level rides etc - all starts to come together.
I am not saying ANYTHING bad about VSL - I love their products and they are the best I have heard....I am just saying at some point - when it comes to mixing the tracks you have programmed and you just need that little 'something else' - I say start experimenting, be bold and throw away the rule book.
Just my .02¢
[:D]
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ThomasJ was also involved in helping VSL 'Epic Horns'. I don't know if you all saw the pics that were on this site (they still might be), but he was there [[;)]] .
From what I gather, strings must be the hardest samples to get the right expression and timbre (?). The private library that TJ, Simon, Maarten, Craig, etc...was done just in the right taste IMO.
The violin sordinos and cello section samples are exceptional. Sound as close to any dramatic soundtrack I have heard.