Vienna Symphonic Library Forum
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  • How is the Sustenuto Blend supposed to work?

    As I understood this instrument, it is to be used for the case U want to play a legato line, but the notes are longer then the legato samples, so the don´t reach the next note?!?

    So after playing the second note, while holding the first one, I move up the MODWHEEL and the second note sounds as long as I need it to sound.

    But what happens to the third note?

    When I move the MOD down, the second note stops. Keeping the MOD up, I get no sound on the third note.

    Did I get the sense of the sustenuto-blend wrong?

    (In this case I tried the VC-3_perf-leg_p_slow+SB of the Chamber Strings)

  • Hi Felix,

    you are blending to a sutained note when you use the Modulation Wheel. When you are moving on to the "third" note, move the MODWheel fast while you play the Legato connection. That´s it. Otherwise you will hear a "normal" sustained note.

    Best, Paul

    Paul Kopf Head of Product Marketing, Social Media and Support
  • Honestly, I think the sus-blend instruments are difficult to play "live" (of course this could just be a reflection on my playing). I use them with my sequencer where I can fine tune exactly when and how fast to make the modwheel switches. Generally, I switch into the sustain gradually about halfway into the note. Then I switch out of the sustain exactly at the start of the new legato note so that I can hear that lovely legato connecting noise. Switching too early will create a slight gap in the sound. Switching too late will "remove" the legato connecting noise.

    Best,
    Jay

  • Obviously this is a GS3 thing, which I hope to be using from next week. Just one question; at the moment I use the modwheel for controlling the release time with the legato samples. Will it be possible for me to re-map it to another controller, as I would hate to lose this facility?

    DG

  • Yes, with the gigastudio editor.

    --Jay

  • last edited
    last edited

    @JBacal said:

    Yes, with the gigastudio editor.

    --Jay


    Yikes [[:|]] Ok, thanks for that. I'll make sure that I have silicon chips for tea that day (days/years) [:(]

    DG

  • Personally I find the need for these sustenoto blends one of the most irritating things about VSL. I really wish one day the notes in the performance legatos will be long enough.

    I have even considered sitting down for 3 days to make up new patches that combine (crossfade nicely) the short performance legato samples with the normal (or even looped) ones. We could even share some of the workload - I'll make a start with vn-14 and vcs-8....

    Dom

  • Thanks for the quick answers. I think that´ll help as I´m not using vsl to play live.

  • Why aren't the legato files looped? I just realized this recently as I was putting together a piece that blatantly rips off Shostakovich's 1st movement of his 11th Symphony. Luckily the notes end exactly where I want them, so it's not an issue right now, but I imagine it will be later on.

    Is there a way to get around this besides the sostenuto blends?

    -bw

  • You can make the notes longer for all ensembles by stepping on the sustain pedal when you want to play a longer note and then retrigger the same note and release the sustain pedal. This way you mix a starting note to the playing note.

    Sounds complicated, but it´s easy. Just make sure to retrigger the note with the right velocity......

    Best, Paul

    Paul Kopf Head of Product Marketing, Social Media and Support