@afterlight: Isn't it cool that you can use 9 computers the way you do now? We are only trying to make this even better.
It's also cool that I can drive my car....but I did pay for it.
I think the problem many professional users who have numerous licenses have is simply that the upgrade price of 400+ euros (for me) for a completely unannounced feature set is...silly. Really silly.
And I'd take issue with the "works well". It works well sometimes. Other times (like closing sequences) it crashes repeatedly. I've just learned to live with that because I have projects and deadlines. I'd pay 400 euros for it to be stable, frankly.
I'm not trying to bust your balls, I love the software, I just think you're seeing a lot of negativity here for a really good reason, and some of us like your software and wouldn't even look twice at the samples...a starter orchestra isn't of interest.
And the few conversations I've had with other composers around LA I've only heard negative reactions. I hope it's worthy of a .0 upgrade and the asking price or I think quite a few people will be quite grumpy. But, look, what do I know, I've only been doing this for two decades and I've been a customer of yours only since...pretty much day one minute one on the Vienna Ensemble side.