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I think you two could almost continue your arguement in pm, now, since it's not interesting for anybody, and not even relevant to your own post 😛. At that point, who insulted who first isn't relevant any more.
I posted some messages, why don't you answer stuffs about that instead ^^ ?
I think you two could almost continue your arguement in pm, now, since it's not interesting for anybody, and not even relevant to your own post 😛. At that point, who insulted who first isn't relevant any more.
I posted some messages, why don't you answer stuffs about that instead ^^ ?
I skimmed your post and it appeared to be squarely on-topic, so I intend to read it carefully when I have the time it warrants, later. In the meantime that housekeeping I performed took only a few seconds.
JimmyHellfire, please use PM for your future personal attacks against me.
Anyway, here comes a problem for the 'natural volume' feature. If you wanted to restrict your sample instruments to only what they can play in reality, VSL would have to delete the pp layer for the bassoon's lowest register. So for example, when playing in the bassoon's low register with a volume of, say, 22, there should either be now sound at all or one that is much louder than the requested. I can only imagine the complaints VSL would get if that was the case. And that's but one example. If VSL applied this logic rigorously through all instruments, their libraries would be very inconsistent and tedious to learn. You'd always have to ask yourself: 'oh, why can't I do that particular thing. Ah, yes, it is because this instrument can't play a trill on these two notes'.
One last thing, Dominique, I think you may misunderstand what "volume" is, inside Vienna instruments pro (maybe you just spoke too fast though). But your volume "22" is purely a midi data, traditionnaly on cc7, and in no way indicative of a "real" volume. It just says to the virtual instrument "you have a data of 22 on a maximum of 127". It is written nowhere that the same cc7 data should result in the same dB output on every instrument (no reason whatsoever to have a mute bassoon at cc7 22, even if this bassoon has a pianissimo 10dB louder than the clarinet also playing at cc7 22, for example.) In that case, a logical way to behave would be to have the bassoon way louder, because a bassoon at 22/127 of its "power" is way more powerful than a clarinet at 22/127.
Eh, it's just BachRules and his usual diatribe, well documented on these forums and elsewhere. At least he's consistent.
Eh, it's just BachRules and his usual diatribe, well documented on these forums and elsewhere. At least he's consistent.
Why are you harassing me? You saw monkeys on another forum harass me and you got it in your sycophantic head to mimick the imbeciles? You saw moderators inviting harassment against me, and you took their corruption as an opportunity for you to bully me with impunity, you sadist? It's true that monkeys like you around the internet do obsess over me; but post a link to my "well-documented diatribes" to substantiate your latest personal attack against me, unless you're simply lying. You've attacked me for making a feature-request, and now you're lying in an attempt to justify your offensive conduct, you foolish monkey.
Plougot, yes you are absolutely right. My formulation there is wrong. I meant it as you specified. In it's high register, a bassoon at a cc7 of 22 should sound at, say, 30 db. But in the lowest register, again at a cc7 of 22, it should sound at maybe 40 db.
Not to derail too much from the topic, but one remark on the Tchaikovsky: here's a live (!) recording with the RCO (Christian Thielemann conducting) where this passage works flawlessly with a bassoon!
Admittedly, that's a rare case and it's very risky, but it can work. Especially after the importance of the bassoon at the very beginning of the exposition, I really think there's a structural and poetical logic behind Tchaikovsky's instrumentation there (and not a mistake). And that's completely lost when the passage is played on a bass clarinet.
I agree, it works wonderfully on the example you posted. I Would be really interesting to know why exactly, but there's no point in arguing, it works. I also concur with your statement, it's more poetic this way.
I would really be interested in knowing why it is so difficult than nearly everybody change it. I thought it was unpractical since I had never heard a "bassoon version" working. But you proved me wrong, it's clearly feasible. And it's better that way.
[...] your sycophantic head to mimick the imbeciles? You saw moderators inviting harassment against me, and you took their corruption as an opportunity for you to bully me with impunity, you sadist? It's true that monkeys like you around the internet do obsess over me; but post a link to my "well-documented diatribes" to substantiate your latest personal attack against me, unless you're simply lying. You've attacked me for making a feature-request, and now you're lying in an attempt to justify your offensive conduct, you foolish monkey.
You will see this as a personal attack again, but anyway: This is the last time I'll ask you as much as everybody else to stick to a friendly, constructive tone. Insults to fellow forum members and/or VSL staff will not be tolerated. I will close this thread without further notice otherwise. Anybody who continues to disregard the forum rules will be put under moderation.
BTW: Some of the words you have chosen to post here could be actionable in several countries. I strongly suggest to withdraw the quoted sentences and to apologize.
BTW: Some of the words you have chosen to post here could be actionable in several countries. I strongly suggest to withdraw the quoted sentences and to apologize.
I have experience arguing 1st-Amendment cases in real U.S. courts, and I'm willing to take my chances. Despite your toleration of JimmyHellfire's violation of the forum rules, he has harassed and libeled me here, and I stand by my response to that.
You didn't call out "civilization 3" for his disrespectful tone, and there's no apparent legitimate reason for your double-standard.
Which part of "as much as everybody else" (in bold letters!) didn't you understand?
