Hi Jay, Basically, all it is, is a question of precision, so you should not have any trouble with this, cutting or changing the articulation length at the right place and changing at the right time, I'd say 99% of make it work well is the fine tuning, but you know this so well....@JBacal said:
Hi Guy,
Just listened to your violin, clarinet and trombone video compositions-- great stuff!!!
Could you speak a bit about how you use the arpeggio and run samples? I have never really learned how to get the most out of these samples and you make them sound terrific.
Best,
Jay
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Thanks Guys - really appreciate your efforts here. It is making me 're-think' my approach to Matrixes. Given this example I am thinking more along the lines of 'Presets' (groups of Matixes) and as much as possible standardizing these presets to each section (strings - Orch, AP, Chamber, solo - WW's, Brass, etc.) Now I have seperate matixes (and midi tracks) for legatos, short/ong notes, dyn, etc...
Thanks again.,
Rob
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Aha, there they are - nested comfortably, deep in the bowels of those pages.
Thanks Mahlon!
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Extremely fine work, Guy!
Very detailed and yet still concise instruction for all the rest of us.
Looking forward to more of these.