Dear All,
The lack of seconds only has a measurable and obvious impact when doubling at the unison. Therefore this is pretty much the only practical use for the seconds (sampling navel-gazing aside).
If the lack of seconds really irks you, this approach is reasonable:
1sts - Standard Strings
2nds - Standard Strings
Doubling Unison - Appassionata String, possibly even layered lightly with chamber
You are sacrificing availability of the tone of the appassionata strings for the vast majority of your score for the sound of a more realistic unison (which in my opinion usually isn't a sacrifice worth making), but if you are that worried about it, this is a potential solution.
Regarding the post further up about shifting the samples of a semitone up to generate a "new" section, pitch bend is one of the controllers available for mapping (most obviously to the pitch wheel) in the VI interface as I recall. I don't really see why this isn't possible, although I haven't tried it myself.
Hope this is of help.
Kind Regards,
Nick.
The lack of seconds only has a measurable and obvious impact when doubling at the unison. Therefore this is pretty much the only practical use for the seconds (sampling navel-gazing aside).
If the lack of seconds really irks you, this approach is reasonable:
1sts - Standard Strings
2nds - Standard Strings
Doubling Unison - Appassionata String, possibly even layered lightly with chamber
You are sacrificing availability of the tone of the appassionata strings for the vast majority of your score for the sound of a more realistic unison (which in my opinion usually isn't a sacrifice worth making), but if you are that worried about it, this is a potential solution.
Regarding the post further up about shifting the samples of a semitone up to generate a "new" section, pitch bend is one of the controllers available for mapping (most obviously to the pitch wheel) in the VI interface as I recall. I don't really see why this isn't possible, although I haven't tried it myself.
Hope this is of help.
Kind Regards,
Nick.