Is it just me, or is there an unnatural characteristic to the legato string performance patches?
I ask this in relation to the overall excellent sound of the cube. I just find that, in the violins/violas in particular, the overtly monophonic stealing of voices between notes is jarring...
Is there some kind of special tool configuration I'm missing, or is this inherent in this style of programming?
I ask this in relation to the overall excellent sound of the cube. I just find that, in the violins/violas in particular, the overtly monophonic stealing of voices between notes is jarring...
Is there some kind of special tool configuration I'm missing, or is this inherent in this style of programming?