Roland and Creamware's time stretching applications are non streaming sampling systems I guess?
best
Herb
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William, I agree that there are many alternatives to velocity xFade, but it is such a good feature that I really would love to be able to use it on all instruments. The more keyswitching that I have to do the more I hate programming. Yes, I'm lazy, but my ideal is to be able to play these wonderful virtual instruments as much as possible in real time, and not to have to patch things together.
DGCould we get some more details on how this interfaces with the sequencer (MIDI, or some other method) and the audio outputs? Pretty please?? :)
Could be either... If you're on PC, FX-Teleport does a very good job of doing this all on LAN, but it still only runs on Windows. If you have a Mac as either sequencer or slave, then you'll have to go with hardware (audio interface). If you're running Windows on both machines, go to fx-max.com and get the demo of FX-Teleport. If you've got one Mac and one PC, or two Macs, then I'd (personally) get yourself a pair of RME HDSP9652 cards. They're top quality, have 2 ports of midi and 3 ADAT lightpipe ports, wordclock, and they have totally stable and useable 64bit Windows drivers. The only bummer thing is that they're strictly digital, so unless you can use SPDIF out for monitoring, you'll still need some form of analog outs. Personally, I have the HDSP9652 on my slave PC, and an m-audio Profire Lightbridge on the Mac sequencer. This way I can get all the lightpipes from the PC, and monitor through the Profire. Of course, m-audio's drivers kind of suck, and the Profire is nowhere near as snappy, latency-wise, as the RME card (DSP). It's just a matter of how you need to monitor... If you have a digital mixer, or something, then the two RME cards would be brilliant. (In my old setup I also used an RME DIGI96/8 card for monitoring... I still have the card, so I may set that up again soon. Hope that helps. -- J.@PierreFunck said:
What I REALLY want to know is how the audio is routed from the slave to the main DAW computer: by LAN or by audio interfaces? Could you VSL people chime in? It would affect a couple of purchases I plan to do the next couple of weeks.
@DG said:
I think that half the problem with the audio/MIDI over LAN thing is that it has to work with loads of plugs and loads of different systems. With only one player to worry about it could well be less of a problem.
I totally agree with DG to this point.
I work every day on a complex system based on FX Teleport and VST plugins (both effects and instruments) from at least 10 different manufacturers. And the result is incredibly stable.
Luigi Pulcini.
I don't know what kind of suggestion I could give you.
Probably because my system started working flawless from the beginning, so I have no trick or tweak I tested on it. It just worked! [:D]
You can see an image of my setup HERE.
And you can listen to the biggest orchestration I did with it HERE.
And you can see the instrument setup details on the fifth reply HERE.
All my LAN is obviously a Gigabit one.
As I said in other occasions, I reach the RAM bottleneck (2GB), before I can saturate CPU (25%) or LAN (5-6%).
I hope this could help.
Luigi Pulcini.
Thanks so much for putting that picture up of your setup! I try and try to understand how others are doing it and, because I am not using a computer farm myself at the moment, I have a very hard time understanding it. The picture helps a lot.
Colin Thomson
I think I would have never tried to build a PC farm, if I didn't find the Shuttle XPC mini X100-HA.
When I was in Frankfurt at Musikmesse I saw (with my great pleasure) that VSL Team uses this mini PC as well, to demonstrate its Bosendorfer Library.
You can find any detail at this site: Shuttle mini X100 H
I could pack 6 of this PC into a 6H wall rack unit!!
And if I would expand my system, I just should buy other X100, add them to the rack and connect them to LAN switch. Very expandable!
Luigi Pulcini.