Vienna Symphonic Library Forum
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  • Fantastic idea posting these. The repetition tool is one that I've still not made time to experiment with, and maybe it seemed a mildly daunting thing for me on some level. I'll check this out tonight. Thanks alot, Herb!

    mike

  • I'm impressed by the dedication Herb and the VSL team show the VSL users. This is one of the reasons that I this week put my money into VSL! [:D]

    Is it possible to store this kind of additional files, tuturials, examples etc. in the user area? Otherwise people could miss out on these goodies if they don't read every topic in the forum. For example, I know I read somewhere (where?) about an additional, corrective .art-file, and it would be great if I just could enter the user area and download it (together with some explantion of what it is, of course) , instead of searching through the forum posts.

    Cheers,

    Chris

  • we have already discussed that and some other points
    to realize all that a major change to existing internet-structures of vsl has to take place
    so it will not happen tomorrow, but we will work on that
    christian

    and remember: only a CRAY can run an endless loop in just three seconds.
  • Thanx Herb, I look forward to checking these out. It's a very much needed show me tutorial.

  • The mp3 examples are now ready for download,
    you'll find them in the starting post of this topic.

    best wishes
    Herb

  • Just for the record - the "dry" examples were gained to -0.5 dBFS to achieve better results during the mp3-encoding, so it's not the "pure" Giga-to-wav rendering Herb wrote about. The "mastered" versions are for listening pleasure only - you may achieve different results with different reverbs, compressors and/or EQs, of course :-]

    All the best,

    /Dietz - Vienna Symphonic Library

    /Dietz - Vienna Symphonic Library
  • Thanks Herb for the tutorial,

    I enjoyed the mp3's, but I had a problem with the midi examples. The files are movie player files, right? My Quicktime(Mac) couldn't play them, I got a message saying the sound was corrupt?

    Has anyone else had this problem? I would like very much to be able to view this so that I can get to understand the repetition tool.

    Thanks,
    Rick

  • Thanks Herb for the tutorial,

    I enjoyed the mp3's, but I had a problem with the midi examples. The files are movie player files, right? My Quicktime(Mac) couldn't play them, I got a message saying the sound was corrupt?

    Has anyone else had this problem? I would like very much to be able to view this so that I can get to understand the repetition tool.

    Thanks,
    Rick

  • Hm, I simply exported the files out of cubase vst 5.1 as normal midifiles.

    Herb

  • This is just your Mac trying to be smarter than thou ;-] ... open the sequencer-program of your choice and import the MIDI-files to a MIDI-track from the file-menus (... that's where you'll usually find this command).

    HTH,

    /Dietz - Vienna Symphonic Library

    /Dietz - Vienna Symphonic Library
  • last edited
    last edited

    @Dietz said:

    This is just your Mac trying to be smarter than thou ;-] ... open the sequencer-program of your choice and import the MIDI-files to a MIDI-track from the file-menus (... that's where you'll usually find this command).

    HTH,

    /Dietz - Vienna Symphonic Library


    That's how I always load midi files.

    I've never had any trouble playing midi files on my computer before.


    Rick

  • last edited
    last edited

    @herb said:

    Hm, I simply exported the files out of cubase vst 5.1 as normal midifiles.

    Herb


    I guess Cubase screwed up! [:)] Have you tried testing this by downloading it off the web page? According to my Mac's "get info" command, this file is a movie document. I'll try downloading it to my PC, and check out it's properties, the PC equivalent to "get info".

    Rick

  • Mac's can auto asociate files with certain programs. With regards to Quicktime, this is a freaking pain in the ass.

    Just import the file into Cubase, if that doesn't work you may have to change the way the file is recognized with a resource editor of sorts.

  • .... that's about what I'm trying to say. Thanks, King!

    /Dietz - Vienna Symphonic Library

    /Dietz - Vienna Symphonic Library
  • First off I have to say I got my library today and I am FLOORED! I'm sure I wont sleep for the next few days... [:D]

    Also, like Rick I am having the same problem with the midi files on my mac. It was also the same with the midi files from the demo cd. I cant import them into performer (it doesn't see the files) and when attempting to open in quicktime it gives the message about it being a damaged or corrupted file. I am pretty sure however that it must be the file association as the icon it gives me is a quicktime wav format.

    I'm not sure how to fix this file association. Any ideas on the name of the program that allows you to change this? The association editor I mean?

    I just can't put into words how amazing this library is...I wanna call everyone I know to tell them about it, but at the same time keep it a secret, if you know what I mean.

    --James

  • hmm I wonder if offering stuff it files may help keep the macs from auto associating.

    I forget what the editing apps are, but take a look at www.download.com and look for some resource editors, or file utilities.

  • I thought this might be a good place to find this. Please remove if deemed neccasary.

    I've now been asked a few times, how I did the Led Foot Demo.

    http://vsl.co.at/admin/downloader.asp?file=/data/Sounds/MP3/Led_Foot.mp3

    As a service to "Overdrive" users and VSL I will try to explain, through a small tutorial. I've never done a tutorial so please bear with me.

    First, I am a guitarist. It is my main instrument so I have a good understanding of how it is supposed to sound. All my programming was done on keyboard. I put some basic hall reverb and a quarter note delay on the guitar buss.

    For myself, there are 2 broad ways to approach using this lib.

    1.You can find a basic patch and jam on it to get your ideas down. You will have to go in later and work out your articulation choices so it sounds realistic.

    2. You can start by having up a pallete to draw from and basically "compose" your solo.

    of course you can combine different degrees of each approach.

    Led Foot demo

    At first it looks like i used a lot of patches but as you go down the list you'll see many start to repeat

    Here is the basic list first.

    EG_stac_velocity-1 panned mostly left
    EG_stac_velocity-2 panned mostly right

    the following 2 were always used together
    EG_sus_all (this is the non performance patch)
    EG_perf-leg_slide_sus++

    EG_perf-bend
    EG_trill_Mi-3+RS
    EG_sus_wb2+RS-fx1
    EG_trill_Mi-3+RS
    EG_fast-rep_dyn_160
    EG_mV_perf-leg_marc
    EG_perf-leg_ha-pu into
    EG_oV_sus+subsus

    Here is the play by play sports fans

    1-20sec ....rythym figure (which goes through the most of the tune)........
    2 patches....
    EG_stac_velocity-1 panned mostly left
    EG_stac_velocity-2 panned mostly right


    21sec....first lead note
    EG_perf-bend
    A cool technique here is to play 2 notes quickly. A minor or major 2nd is quite effective and sounds like you are naturally bending into the note.

    23 sec. 3 note phrase
    This is the new performance tool function where you use 2 patches at the same time. One is for attack, the other sustains.
    EG_sus_all (this is the non performance patch)
    EG_perf-leg_slide_sus++

    26 sec...trill....i used the pitch bend here to simulate the whammy effect
    EG_trill_Mi-3+RS

    29 sec...same technique as at 21 secs
    EG_perf-bend

    32sec.
    EG_sus_wb2+RS-fx1
    This is a simple patch and one of my favorites....This whammy patch with release sample has a lot of personality

    34sec (3 notes)
    EG_perf-bend into EG_sus_wb2+RS-fx1

    37sec
    EG_trill_Mi-3+RS

    40 sec
    EG_perf-bend

    42secs
    EG_sus_all (this is the non performance patch)
    EG_perf-leg_slide_sus++

    48sec. this is a tremelo patch
    EG_fast-rep_dyn_160 into EG_mV_perf-leg_marc
    This latter patch could have really been anything with sustain....I used a little pitch bend at the end of it to simulate a whammy bar.

    53 secs
    EG_sus_all (this is the non performance patch)
    EG_perf-leg_slide_sus++
    into EG_sus_wb2+RS-fx1

    58secs...hammerons....this is a very Holdsworth sounding lick, and the the only really flashy thing in the demo. It is also very easily executed due the performance tool.

    EG_perf-leg_ha-pu into
    EG_perf-bend into EG_sus_wb2+RS-fx1

    final chord
    EG_oV_sus+subsus

    Hope This Helps

    Happy Shredding

    Craig Sharmat

  • Sharmy,

    that was unreal!! My whole studio suite rocked in 4 directions.
    I actually saw you on stage bouncing up and down..Outstanding editing in all you do!

    You should be called the "Patch" Doctor >grin<

    Alan Russell

  • Wow!

    I haven't checked this thread in over a month....so i missed this Alan.

    Thanks [:D]

  • HI, The links on this thread no longer appear to be active. Is there anyway to get the demo midi files that were once linked?

    Best Regards