@vibrato said:
I have been hearing that a lot that Pro tools is really shit in MIDI when compared with Nuendo and other sequencers.
But I fail to understand what exactly are the features that are missing from Pro tools. Specially with Pro tools 7 out - What is missing?
What is so special in MIDI in Nuendo that Pro tools cant do - I can understand if there are certain features missing - but what makes Pro tools so shitty in front of Nuendo for MIDI alongwith other sequencers.
I am not trying to take the piss. This is a serious question and I would really like to know because I am considering buying Nuendo 3.
Best,
Tanuj.
I never meant to imply that you couldn't use the MIDI in PT. Of course it works, but the implementation and features are probably equivalent to those of Cubase VST from about 5 years ago....! There are features (such as the various Tempo process and Warp features ) that I use in N3 that don't exist in PT (AFAIK), so even if I used PT for recording, I would still need to use something else as the front end. ATM I use mainly N3 and Sib4, so am reluctant to add yet another program to this chain. Some here may remember that a couple of years ago I was fully intending to upgrade my PT LE to a full rig (at a cost of around £11,000), but for various reasons I decided that it didn't make sense, either financially or workflow wise.
I know that we've had this discussion before, but if you want to upgrade your PT so that you can do 48 audio tracks (wow, 48 tracks, cool man....!), then do so. All I'm saying is that you are not really getting value for money and for film scoring using MIDI you are missing out on a lot of time saving features.
One thing to bear in mind about PT is that the industry rumour is that they are going to be changing to a turnkey system so if you want to upgrade to a full fig at some point you will have to buy the whole package from Digi. I can't confirm this, but you could end up spending a fortune at a time when you probably don't want to.
So to conclude, do what you like [8-)]
DG