Hi Andreas, thank you very much for listening! I agree the next thing to do is to chisel each line's dynamic. Dynamics (CC1) will become more independent, and CC11 will help them (each phrase, in the original piece, nearly fades to niente, and this is something that I can't do with CC1's alone).
I don't know if I should be more extreme with soft attacks and releases. Maybe switching to sordino patches would make my curgent programming sufficient. I have still to see how to invoke sordi o patches in my presets used with Dorico.
Tempi and melodic lines will have to be smoothed out. Fine-tuning micro-dynamics, rework note overlapping. I'm not sure, however, I’m in full command of the interactions between editing and Dorico's automatic humanization.
Paolo