@Martin said:

Yes, it doesn’t offer some instruments and articulations that are available with VI Woodwinds, and that’s not an omission, that's the concept of this product. That’s one reason why it’s so easy to work with.

I understand that. But why didn't you record woodwinds at the Synchron Stage like you did with Synchron Strings I ? I own the Woodwinds Complete Bundle from the VI Series and a new library recorded at the Synchron Stage with new samples would have been much more exciting for me than a SYNCHRON-ized library.

Best,

David

@daviddln said:

I understand that. But why didn't you record woodwinds at the Synchron Stage like you did with Synchron Strings I

I think they already did. Maybe it's not that easy with wet samples. Just guessing...

The first time I watched the very first video of Synchron Percussion it was clear to me that all instruments had been recorded. At least, it sounded like that. And the seating graphic on the product page also showed the other instrument sections (and this graphic was the very first of the Synchron Series).

I have another question:
Why do you have marcato longs, but not marcato legatos? The VI instruments do have these in the full libraries. Or, at least, a "fake" marcato attack as in the SYNCHRON-ized special editions.

By the way, I just purchased it and like it so far. The non-vibrato/vibrato options are great. But I need my “Interval Map” as a controller option. 😛 

HOLD IT, Hold It, hold it....

Time Out. 

Of all the patches NOT to include... in a reprogrammed WINDS LIBRARY--

You leave out the scale runs!?!?!? That's like... the best part of the classic VSL Winds Library! That's the hardest thing to program when it comes to winds. But that's what you guys had over everyone else! Whenever I visit with other film composers at their studios and we talk libraries, everyone says they keep VSL Winds around for the runs!  

I'm not trying to dump on you guys here but... this company has been taking really odd steps with it's library side. The software is amazing though so I suppose you can afford to since everyone depends on VEP, but boy when those super cheese grater macs come out and people start debating if they want to run sample farms, you're going to have think long and hard about your libraries. Who is this stuff for!? I just don't get it clearly. 

Please, the Alto Flute is missing, this instrument is essential, please include this in the future update.

@Grodhisatva said:

HOLD IT, Hold It, hold it....

Time Out. 

Of all the patches NOT to include... in a reprogrammed WINDS LIBRARY--

You leave out the scale runs!?!?!? 

Hi, I do not think that's too critical for all the WW-Solo-Istruments. There are good possibilities to "play" runs and trills (especially with the flute1 and all clarinets).
Dynamic Scale-Runs are more difficult to "play" when it comes to Ensembles. Here I agree that the runs of the Orchestral Strings are just "Gold"!

Thank you very much for the new Woodwinds Library! I would like to vote a +1 for the Alto Flute please! I have it as a VI Instrument, but would love to see it join the new collection!

Kind Regards,

-ZWaves

@LAJ said:

(Hope you continue with the "real" SY-Series soon. Most important SY-BRASS)

 

Hi

Do not hope too much. It will probably be a SYNCHRON-ized Brass library. I wish they had stayed with the VI Series and the Silent Stage. It was perfect.

Best,

David

I do not think so.

If you are listening to the sound of the Big Bang Orchestra and to the Single Channels of it, what are you hearing?

I hear the SY-Woodwinds which are pretty normal sounding. Not very good, not bad. Just Standard Woodwind- sound as we know it already from many Libraries.

BUT...

... I hear BRASS which is rocking the house (especially the Deep Brass). It sounds crips, clear & even if you push it hard it sounds still noble. That's why I am so much more excited when it comes to SY-Brass.

I do not think that SY-Brass will be a "best case" Library.
("best case" = a Setup like we see it in AudioBro's Modern Scoring Brass with all kind of measurable Instruments.)
But on the other hand the Mix of a) Synchronized Dimension Brass and b) SY-Brass with all these MIcs could lead to an interesting result!

I hope you're right. It would be nice.

Best,

David

I'm loving the work done on SYzd Woodwinds.  Much more consistent velocity levels throughout.  I run it along side 

corresponding VI libraries for the full compliment of articulations.  I'm happy.

I have four questions:

1) How many velocity layers are there now?  What I'm missing in the new SYNCHRON-ized manuals (special editions, woodwinds) in general is the information on velocity layers, round robins etc.

2) [DELETED]

3) Is there a chance to have the re-edited samples for the VI libraries, too? In the future.

4) In the vi-control forum someone mentioned that the VI samples are normalized. Have you changed this? I think when playing e.g. the flute, it's louder in the higher registers.

Many thanks in advance!

@Pixelpoet1985 said:

2) I downloaded the library yesterday. Today there is a new verison. What's the difference? Do I need to download it again?

2) For Vienna Instrument products, go to the Start menu --> Vienna Instruments Pro and launch Directory Manager. Download the update and drag the file into the Directory Manager window, this will apply the update.

For Synchron libraries, I believe the update will automatically install through the download manager.

You dont need to redownload the entire library.

What I would like to know is, what am I getting with this new library that I would not already have with the Special Edition VI Pro or Special Edition Synchron Edition libraries I already have? No new instruments and I dont see any new articulations, with exception to I think fluttertongue, and, some confusing lingo about vibrato being progressive or auto, which I dont understand.

The video demo Guy Bacos put together is wonderful by the way, but could be easily reproduced with the Special Editions, so I dunno. Its a great price, I might have pruchased it if I werent going to be broke for the next month paying for Physics / Math classes.

@LAJ said:

Hi,
Where is a new Version? I see only 8th October ... ?

Yes, you're right, I mixed the date up (month <-> day). Sorry.

199 euro crossgrade from my SEs is a tempting price for more articulations, dynamic layers and improved crossfades!

Any info on the number of legato dynamic layers.in the new library compared to the old? If it matches the sustains in the full versions (4 in some cases I think?) this would be a sure buy for me. +1 for an alto flute in the future also (please!)

As was explained to me in another thread, the idea behind Synchron is to have an orchestral set up right out of the box.  So you load your template and everything is already set up and ready to go.  You don't have to mess around with panning, reverb settings, tedious keyswitch programming, etc.  However, there is enough flexibility with the player to take your time and be a little more creative if you'd like.

Think VI Pro, VE, Sample libraries, Plug ins (Vienna Suite), and MIR all rolled into one application.  Now if you want to do more intricate customized work then you would be better off with your VI, VE templates but if you're a film composer who needs something on the fly and needs it yesterday then Synchron might work better for you.

I don't know how VSL prioritizes the libraries or why they create a dedicated Synchron library (like the SY Strings or the Yamaha Piano) while other libraries are "synchronized"  My guess is that it has something to do with being cost effective; you don't have to hire more musicians to record brand new samples and all the man hours that go into those sessions? But I'm not sure.

What I would like to see is a Synchron update or extension to the Vienna Suite for a Convolution Reverb.  But they do have a Synchron Room Pack for MIR:

https://www.vsl.co.at/en/Vienna_MIR_RoomPack_Bundle/RoomPack_6 

Price: 210 Euro  

This is useful because then you can get your VI Libraries and Synchron to match sonically.