See next post...
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Hi Ton,
Some things I do when working with piano (I mostly use 2 mic-positions):
1. add MIDI-compressor for the note-velocity
2. add some EQ and cut frequencies I do not like / change characteristic of the piano
(3. mix the two mic-positions in a group channel)
4. add a little compression
5. add good IR reverb (in my case MIR; experiment and try different positions / settings)
6. add EQ (mostly to remove just a little the low-frequencies from the sides of the stereo field
[7. mix everything and master]Best, Ben
Ben@VSL | IT & Product Specialist -
Thanks for your input, Ben and Paul.
Ben: eq-, compression-, reverb- and master-wise I already do that, off course.
Paul: this is indeed the 'mini'.
But if you read my initial post, you can see my question specifically is a more acoustic-technical one - i.e. about this split-second warble after a string has been hammered (non-damped) and before the actual note/tone carries on (you have to listen quite attentively to discern the frequency). I also hear this phenomenon in a number of other (non VSL) libraries, so it could be a 'normal' charachteristic of string-behaviour. Would love to hear some thoughts on this.
Related question: would the Vienna Imperial also display this sonically? I cannot clearly distinguish this from online demo's.
All the best,
Ton
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Hi Ton,
In my experience, this is natural behaviour and characteristic to the instrument. You will also hear it in the Vienna Imperial.
Of course the microphone choice and placement always plays a role as well.
So I guess the question is: Which library does NOT contain this?
Best,
Paul
Paul Kopf Head of Product Marketing, Social Media and Support -
Hi Paul,
I'm afraid you are right about this characteristic... And probably I'm too prone to this effect, as my hearing is more than average (both a blessing and a curse, so to speak 😉).
You rightfully state 'Which library does NOT contain this?'. However, there are a few libraries in which one virtually can alter microphones and a number of positions to taste. Sometimes this indeed makes a difference.
Would VSL also opt this feauture in some future upgrade (f.i. the upcoming Yamaha)? Perhaps more users would welcome this, as the quality of the VSL-piano's remains outstanding.
All the best,
Ton
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Hi Paul,
so one month to go for the Yamaha... Well worth the waiting, as his grand could slightly differ in high frequent after touch harmonics in the high(er) register.
Synchron miking: more microphone positions to choose from, but also adjustable in position (f.i. individually moving 2 or 3 close mic's at random)?
All the best,
Ton