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  • Great, thank you Dietz. Getting clearer and clearer.

    What I am trying to accomplish really is control how much "Miracle" each channel can get. So bass sounds will get less of it vs non-bass sounds.


  • I would use an ordinary AUX send, either pre- or post-fade (which also means: pre- or post-MIR), depending on what you're after. I have the vague feeling that you're over-complicating things ATM. ;-D


    /Dietz - Vienna Symphonic Library
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    Wow, thanks Dietz. I tend to complicate things more than I need sometimes... 😛

    I guess I need aux with post MIR. Which means (sorry gotta make sure):

    All MIR dry positioning and MIR wet is applied and then signal is sent to the aux Miracle bus, and I can control how much Miracle I get by the little aux circle, correct?


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    @nektarios said:

    [...]

    I guess I need aux with post MIR. Which means (sorry gotta make sure):

    All MIR dry positioning and MIR wet is applied and then signal is sent to the aux Miracle bus, and I can control how much Miracle I get by the little aux circle, correct?

    Exactly. The little blue rotary fader determines the Aux-send amount from an individual channel. The fader channel of the MIRacle bus sets the overall volume.

    BTW: Make sure to mute the "Dry" signal within MIRacle in this scenario, otherwise your channel levels will get raised by the amount of Aux send received by it!


    /Dietz - Vienna Symphonic Library
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    Perfect! Now we're talking! Thank you so much for your time in answering all these questions Dietz! This really cleared up things in my head... 😃


  • I just tried the above approach, and it does not sound/behave the way I thought it would. Basically, even if I push that little aux circle all the way to -60db I can still hear "Miracle" for that channel... My expectation was that I would not hear Miracle at all. The only way to achieve what I want is adding Miracle to the individual channels separately but I really want to avoid that. 

    I then decided to do the same thing with Miracle in Cubase (but without MIR Pro). And in Cubase it behaved exactly as expected.

    Bottom line, why do I hear Miracle if I push the aux send on that channel all the way to -infinity?


  • Please post some screenshots, Nektarios. Alternatively you can send me your project data (support@vsl.co.at, to my attention). I'll look at it ASAP, but this might take some time.


    /Dietz - Vienna Symphonic Library
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    Thank you Dietz. I will first post screenshots/video showing exactly what I am doing as I know you are an extremely busy man.

    Thanks again!

    @Dietz said:

    Please post some screenshots, Nektarios. Alternatively you can send me your project data (support@vsl.co.at, to my attention). I'll look at it ASAP, but this might take some time.


  • Hey Dietz,

    Here is a video I did that shows what I am experiencing... Barely 3 minutes...



    Hope this can clarify what I am experiencing... 

    Thanks!

    Nektarios


  • Dear Nektarios, that's a simple routing mistake. Your "Violin Bus" is routed into "MIR + MIRacle", too, while it should be routed directly into the main output bus.

    HTH,


    /Dietz - Vienna Symphonic Library
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    @Dietz said:

    Dear Nektarios, that's a simple routing mistake. Your "Violin Bus" is routed into "MIR + MIRacle", too, while it should be routed directly into the main output bus.

    HTH,

    Oh wow! How could I miss this??! 😶 

    Thanks so much for your time and help!

    Cheers,

    Nektarios


  • You're welcome!

    All the best,


    /Dietz - Vienna Symphonic Library