@Elepa said:
Well, to make it short, why do VIOLINS sound like ACCORDIONS, specially in the lower range of the stave ?
Almost certainly because you're playing block chords with a single patch.
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Thank you for the answers.
In fact I am trying to reproduce an
Adagio theme... Just single notes (eighth notes/quavers T=60), legato, very slow... I would say the
sound is right above C3. I have not a lot the choice of a phrasing but I'll give a try to the Release function.
As "single patch"... well I have not a lot of choice with "Appassionata strings I standard" only one legato (non fast-non rep). But as I am rather new to VI, I hope I will find tricks to get the sounds right... or I will break my piggybank.. again ![:)]
Thank you also for the "enhancement" place to go.
Chris
Hi Chris
- If you have an EQ serch for the frequency which makes the sound of an accordeon and suppress it with some -dBs. The sound of the appassionatas can be formed in many ways.
- Play the Appassonats together with a solo violin or the chambers (unisono).
- If you own the Vienna Suite Effects try the VSLpresets for the Appassionatas within the EQ
Which reverb do you use? I can't find a venue for the apssionatas with Altiverb for example. All of those venues make the sound bad in a way.
Here is an example how the appassionatas can sound (together with the solo strings of VSL - and the use of X-velocity)
(Listen from 1:40 and more)
Do they sound just as an accordeon?
Best
Beat
If you ask a violinist to play a plain a note without any sort of effects, no vibrato, just straight, and you are blind folded, it is likely you won't even be able to recognize the sound comes from a violin. But the moment he adds some expression and combine that with a second note with some dynamics, then it sounds like a violin. Real violin or samples, same principal.
Thank you all for these useful comments.
I have spent some time playing with VelXfade, Rel... and still not
convincing by "my" overall violins sound. As I am convinced that VSL
samples are (amongst) the greatests, let's put it on the way I am
handling them...
The piece I am trying to reproduce is G. Delerue, Le mépris (aka
Contempt), Theme de Camille (also on the soundtrack Casino,
M.Scorsese).
It is very close to S. Barber's Adagio, covered with Orchestral Strings VSL by Michael Hula/Dietz Tinhof (Demo Zone).
As M. Hula does not give the details of which samples he used, I just
have one question : are the Orchestral Strings far more adapted for
this kind of piece than Appassionata Strings I Standard ?
And... thanks this very helpful VSL Community !
You're right, it is one of the tests I choose a bit too quickly to upload : not my best legato playing.
I have more tests, more legatos, some with Expression (CC11), some with
VelXfade or others.True that I am a bit confused between CC11 and
VelXfade.I have to sort out all this stuff.
I will come back asap with different files, and you may tell me more.
After all, I may be not compatible with VI (I think I gonna keep this one as a quote [:)])
You can do without Expression. You can't do without velocity xFade. I would suggest for these test you upload mp3 rather than wav and with minimum reverb, to make it easier to hear what's going on. It also might be worth uploading a MIDI file of your performance, so that we can see what's going on.
DG
I'll try to have a look at this tomorrow, but may not have time until later in the week, as I have a very busy mix schedule. Hopefully someone else will have time before then.
OK, I couldn't' resist having a little play with your MIDI file. If you PM me your email address, I'll send you the new file, to see what you think.
DG