Your reasoning is really blinkered, hilarious, and at some points indecipherable (lines 6-8) so I'm just going to mention three more things:
a) The creator of this topic did not use the same words as you did. He's actually well versed in music, and you'll find he didn't say much that was different to what I said. And how am I supposed to know you were addressing Dan specifically since you started your post with the words "Do you think..." without mentioning his name?
b) Do you consider people to be open-minded and willing to explore new ideas only when they agree with you? I'm quite open-minded for I took the time to click on your links, listen to the entire tracks, and discuss them while expressing my ideas and whatever logic behind them. You on the other hand refuse to enter into a friendly discourse, or take the time to contradict my points sequentially, logically, and offer any counter-arguments of your own. Instead, you just flatly deny any credence to my positions, invoking subjectivity for aesthetics (how hard is that...)
c) Even after all this, you still finish your post by insisting that Hans - in your opinion - is "very expressive,..., has original ideas, and has a lot of public who likes his work". Well, how is your opinion of any interest to any of us here in a symphonic forum, when you don't communicate to us any ideas about it at all, so that we may partake of your thinking? "very expressive"? Very?? How? Compared to what music that is, say merely expressive. "Original ideas"? Where? Which? That is not even an opinion... "Lot of public who like his work"? Since when is that a criterion for excellence? Bieber has a "Lot of public who like his work". So? This isn't YouTube or Facebook. This is the VSL forum; we tend to be a little more specific in the presentation of our ideas here (not required, but useless othewise).
Nothing personal of course.
P.S.: Dan posted before me, so I would also invite him to elucidate what he found in that music to have been "extremely emotional", with comparisons to other soundtracks of note which are by his standard significantly less expressive than Inception's.