We have links to suppliers of certified workstations available here: ->[URL]http://www.vsl.co.at/en/211/497/1687/455/1750/1386.htm[/URL]

HTH,

Many Thanks to Doubleattack and Dietz  for info, it really helps to get a grasp of how to approach this new system configuration.

Anyway, I'm looking right now to see what systems they have for North America. After that, I'm going to go with MIR SE first and waiting the big update to take the full version.

Anyways, so nice of you to give me some ideas of what to choose ,

All the best

B

That's as always really a matter of taste, but the teldex studio and even every venue of the ORF studios is uniquely. IMHO the choice of the venue is very depends on the music material - so I think it's always good to have a wide range of possibilities. I find myself constantly alternate using all three roompacks, ' cause the venues of every roompack are very well selected for different requirements.

Finally speaking for myself, I find that the teldex studio has rounded off the options of the venues. So I find it very useful - for some kind of music.

Frank

Hi Agostino,

I'm away of only one click to buy this wonderful product. Just a question since you own it, possibly a silly question: how you construct for example a wind quintet or a mixed octet ? I have seen only three templates and when I tried the demo, I was more into how it sounds rather to think of constructing different arrangements?

Many Thanks 

B

Oh..and another thing; I've seen that with full MIR.1.2 the VI pro is also integrated; but how about  MIR SE, it has the same feature ? 

Thanks

B

Hi Agostino,

Please, don't worry about "making " me to buy this software :)), I already took this decision few weeks ago. It was just a question about constructing different ensembles with MIR SE, and not achieving the perfect mix...in fact, honestly, which is the "perfect mix"? ;). Definitely, the message was intended to find out more about this feature, and not to involve someone and make him/her responsible for my actions. So, if you are willing to share how you construct different instruments arrangements with MIR SE is ok, if not, is ok also:)

I'm really sorry if my message was taken as inappropriate, it was really meant to provide me only some details from the ones who already own MIR SE

All the best,

B

 bogdan, I would suggest that you read through the MIR (and MIR SE) manual.  It spells things out very well.  While templates are included that can get you started, you will usually be needing to create your own, as any particular piece might require a completely different instrument group.

It is very easy to set up unique templates for any sort of ensemble you might need.  All you have to do is add an instrument, position it where you want it on the stage, and then create a matrix of whatever patches you need for that instrument.  Do so for each instrument, and you are done.  You can save each template you make for future use.

Bogdan, all your questions are perfectly valid - no need to be shy. :-)

If you want to get a feel about the basic sound of a Venue, you can always listen to the pre-rendered "Previews" we supply for MIR's Room Editor window as well as online: ->  [URL]http://www.vsl.co.at/en/211/497/1687/364/1929/1581.htm[/URL]

Of course, there are complete musical demos available, too, for example here:  ->  [URL]  http://www.vsl.co.at/en/211/497/1687/364/1967/1635.htm[/URL]

Personally, the Teldex Recording Hall is maybe the most versatile Venue available for MIR right now, and for my ears it sounds _awsome_, for single instruments as well as for big orchestras. :-)

Kind regards,

Oh - I forgot to tell you that VI Pro works within MIR SE too as soon as the engine has found a valid license on your dongle.

Hey,

Thanks Dietz and Noldar 12, 

I remained out of questions and I'm also happy to know that everything is exactly how I imagined.

 err....there is still one:  where in the world is my credit card? :))...just kidding !!

All the best

B