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  4. OT: Orchestral scoring noises - here are some links...
  • D
    D

    Yeah, this whole sample thing is crazy. I've spent a lifetime telling people to be quiet, play together and in tune, and this whole programming malarkey needs exactly the opposite. [;)]

    DG
  • D
    D

    You all are welcome.

    Sorry it took so long to respond.

    I have been through hell trying to figure out some

    computer problems and been bouncing back and forth on various

    OS's ie XP, XP64, Vista64...

    Finally settled back to XP64 and will be installing the whole

    VI Cube again.

    Still trying to figure out my vanishing RAM problem.

    Anyway, enjoy making your compositions sound more "performed"

    David 
  • C
    C

    The best "scoring noise" are the ones which capture the "air" but dont have coughing people, chairs etc.

  • D
    D
    I like the page turn sounds. Chairs and coughs I can do without.
  • A
    A

    Hi everyone!

    I'm sorry for being that late, and of course the file is not available anymore, but does anyone could re-upload the file again? I'm looking for this kinda stuff since ages and didn't find anything really useful yet.

    Thanks! [:)]
  • G
    G

    My thoughts on this is, it does add something but a lot less than we think. If your piece is well programmed and sounds great without it, to me the ambience noise won't add that much if anything. The fact that a piece sounds more realistic with ambience noises won't make it sound any better, and that's really the bottom line. Well that's my 2 cents.
  • A
    A
    last edited
    last edited

    @Guy said:

    My thoughts on this is, it does add something but a lot less than we think. If your piece is well programmed and sounds great without it, to me the ambience noise won't add that much if anything. The fact that a piece sounds more realistic with ambience noises won't make it sound any better, and that's really the bottom line. Well that's my 2 cents.

    Hello Guy,

    Well, actually I agree with you. Actually it was just to give it a try and see by myself [;)]. My guess is that's probably removes the purity of the sound and just add some ... noise in fact, so it could be complitely useless, but as just said, I wanted to try it out ... just curious.

    Thanks,

    Arnaud.
  • G
    G

    And when ever I need an orchestral ambience library, I've got my own personal one, anyone is welcome to use it too:

    _

    http://www.guybacos.com/audio/2.mp3
  • A
    A

    AH AH AH AH!!!! Awesome! I want it!! [:D]
  • D
    D

    The only thing that bothers me with music using samples, is that silence is uncomfortable. I would like to be able to cover that, but I certainly don't want chair scrapes, page turns and coughing all over my tracks.

    DG
  • J
    J

    What would you like to cover the silence with?
  • D
    D

     The magic air that one gets in a studio or concert hall. Digital silence is so cold.

    DG
  • G
    G
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    last edited

    @DG said:

     The magic air that one gets in a studio or concert hall. Digital silence is so cold.

    DG

    I agree. Until this issue is resolved you could always write cold pieces, here are some title suggestions: 

    -Cold Spring

    -The Cold Night

    -Cold is Beautiful

    -It was so Cold

    -Winter

    -Freezing

    -My Di... Froze

    -It Was a Cold Winter

    -Winter Time is for Me

    -Wine by a Fire on a Cold Winter Night

    -Winter Wind
  • D
    D

    Guy, I think that I've done all those already. And the 30" and 60" versions. [8-|]

    DG