The best "scoring noise" are the ones which capture the "air" but dont have coughing people, chairs etc.
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My thoughts on this is, it does add something but a lot less than we think. If your piece is well programmed and sounds great without it, to me the ambience noise won't add that much if anything. The fact that a piece sounds more realistic with ambience noises won't make it sound any better, and that's really the bottom line. Well that's my 2 cents.
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My thoughts on this is, it does add something but a lot less than we think. If your piece is well programmed and sounds great without it, to me the ambience noise won't add that much if anything. The fact that a piece sounds more realistic with ambience noises won't make it sound any better, and that's really the bottom line. Well that's my 2 cents.
Hello Guy,
Well, actually I agree with you. Actually it was just to give it a try and see by myself [;)]. My guess is that's probably removes the purity of the sound and just add some ... noise in fact, so it could be complitely useless, but as just said, I wanted to try it out ... just curious.
Thanks,
Arnaud.
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@DG said:
The magic air that one gets in a studio or concert hall. Digital silence is so cold.
DG
I agree. Until this issue is resolved you could always write cold pieces, here are some title suggestions:
-Cold Spring
-The Cold Night
-Cold is Beautiful
-It was so Cold
-Winter
-Freezing
-My Di... Froze
-It Was a Cold Winter
-Winter Time is for Me
-Wine by a Fire on a Cold Winter Night
-Winter Wind