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  • These kind of jobs are usually charged by bars or music minutes, aren't they? But anyway no idea of a representative rate either. 


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    @jbm said:

    ...so I'm wondering what people charge?
     

    I have to tell you that any discussion of rates or prices among people who could conceivably be in the same line of business is almost certainly illegal in the United States, and could result in serious charges being brought against both the participants and the witnesses to such discussions. 

    This is not a joke; please read this for more information on why asking and answering such questions is a bad idea, particularly online, and why some mailing lists routinely stop any such discussions for the benefit of all the members of such lists.


  • Hey Mathis,

    I know commissions have always been a function of minutes * time [ edit ] ... duh... I mean, minutes * musicians - the Canadian Music Centre has a fee schedule for this purpose. I guess I'll just use that as a guide.

    J.

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    @fcw said:

    I have to tell you that any discussion of rates or prices among people who could conceivably be in the same line of business is almost certainly illegal in the United States, and could result in serious charges being brought against both the participants and the witnesses to such discussions. 


    Wow, that's pretty severe! Thanks for the heads-up. I'll gladly delete the post... It's funny, because I know I've seen posts on this general subject here before, but I guess they just didn't refer to it the same way...(??)

    Anyway, I'll delete my original post and see if the mods can delete the whole thread.

    Thanks again.

    J.

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    @fcw said:

    This is not a joke; please read this for more information on why asking and answering such questions is a bad idea, particularly online, and why some mailing lists routinely stop any such discussions for the benefit of all the members of such lists.

     

    The author of this article mentions one of his first thought "I don't need to be bothered by U.S. law because I'm not in the U.S:" which was mine as well and there is no indication in the rest of the article that James as a Canadian and me as a German should be botheres by this law, or am I missing something?


  • Well, I guess the real point is that there may very well be similar laws in Canada and Germany, so it's probably best to just not "go there", as they say! I really just thought of it as a pretty innocent question between colleagues, but I guess I understand why it could be a problem.

    How are you doing, anyway, Mathis?

    J.

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    I believe that point is actually addressed in the FAQ that the article refers to -- the HTML Writer's Guild, as hosts of the mailing list in question, would also become liable to prosecution, and they are in the US. Effectively, therefore, there can be fallout for any party privy to, or enabling, such a conversation, even if the main participants are not under direct US jurisdiction.

    So abstaining from discussion of rates here also helps to avoid any actions being brought against VSL or their American business partners.

    A further problem is that this is the type of offence where you can be found guilty in your absence (it's a per se federal offence, which means that the facts alone are enough to convict, without any need to get into motives or context, and the burden of proof switches to the defendant to show that their actions were not actually a crime). If you, as defendant, are absent, the conviction stands against you anyway, and any subsequent attempts to enter the US, or even conduct business there from outside, could be seriously hampered for a long time.

    I believe there are only four legitimate ways to get the information the original poster wanted: negotiate individually with your customers; adjust your prices, and see what effect it has on your business; use standard rates, based on surveys published by reputable trade or professional bodies; and read an independent survey of what typical rates are, conducted by a journalist not in the line of business, and published somewhere where customers are as likely to see it as suppliers.

    Note that I am not a lawyer, and this is not legal advice. [:)]


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    @fcw said:

    I believe there are only four legitimate ways to get the information the original poster wanted: negotiate individually with your customers; adjust your prices, and see what effect it has on your business; use standard rates, based on surveys published by reputable trade or professional bodies; and read an independent survey of what typical rates are, conducted by a journalist not in the line of business, and published somewhere where customers are as likely to see it as suppliers.


    Well, though it is the Canadian League of Composers, not the Canadian Music Centre (as I mistakenly mentioned above), there is a publicly-available fee schedule for commissioning Canadian composers:

    http://www.clc-lcc.ca/commissioning-rates.php

    All of the funding bodies recognize this as an official guideline, though it's obviously not adhered to in all cases. However, this really is for commissioning new works, which I think most would agree is a much bigger job than arranging and copying.

    Anyway, I've already requested this thread be deleted, so maybe the mods will do so...

    We'll see.... J.

  •  Actually, I think it would be okay to leave it the way it is, since no actual discussion of rates took place, and this thread could serve as a warning to others. [:)]


  • I suppose that's true. Good point. I certainly had no idea I was a maniacal criminal before today! ;-)

    J.

  • I would have thought that the right to freedom of speech negates all that cp*p. So the US is not the land of the free after all. [;)]

    DG

  • I was thinking the same thing, somewhat more belligerently and obscenely... though I guess Big Brother is watching. 

    Now is the time to join the Underground! 


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    @DG said:

    I would have thought that the right to freedom of speech negates all that cp*p
     

    Slander and perjury are just two examples of types of speech that can get you into serious trouble because of the damage you can do to others with mere words. And good luck to anyone relying on the First Amendment as a defence against shouting 'Fire!' in a crowded theatre.

    The right to freedom of speech is a right that must be used wisely; it isn't a 'get out of jail free' card for whatever harm can be done with words alone.


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    @DG said:

    I would have thought that the right to freedom of speech negates all that cp*p
     

    Slander and perjury are just two examples of types of speech that can get you into serious trouble because of the damage you can do to others with mere words. And good luck to anyone relying on the First Amendment as a defence against shouting 'Fire!' in a crowded theatre.

    The right to freedom of speech is a right that must be used wisely; it isn't a 'get out of jail free' card for whatever harm can be done with words alone.

    Of course not, but nobody is going to tell me whether or not I can tell someone how much I charge.

    DG


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    @DG said:

    Of course not, but nobody is going to tell me whether or not I can tell someone how much I charge.
     

    When that someone is a potential or actual competitor of yours, I think you'll find that the US Federal Trade Commission disagrees with you, and they are supported by over a century of legislation and court judgements.

    In all seriousness, when people have gone to jail because they had an after-dinner conversation about commission rates, it shows that some kinds of speech are considered threats to the public trust in the US (hence, 'anti-trust'), and prosecuted accordingly.

    Note that I'm neither defending nor advocating the situation, just pointing out the potential danger, and showing you where you can find links to real legal information and advice.

    That is all. [:)] 


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    @DG said:

    Of course not, but nobody is going to tell me whether or not I can tell someone how much I charge.
     

    When that someone is a potential or actual competitor of yours, I think you'll find that the US Federal Trade Commission disagrees with you, and they are supported by over a century of legislation and court judgements.

    I also don't care what they think either. [;)]

    DG


  • I keep on agreeing with DG on this.  In fact, I basically don't believe it.  I can talk to anyone about anything that is non-violent or non-slanderous and can sue your ass off if you try to stop me.


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    @William said:

    I keep on agreeing with DG on this.  In fact, I basically don't believe it.  I can talk to anyone about anything that is non-violent or non-slanderous and can sue your ass off if you try to stop me.

    I guess that a lot of this would depend on whether or not you were a representative of a business. In my case that would mean that I'm working right now. Must remember to pay myself. Ooo, there go another two pennies. Drat, I mentioned money; off to jail I go. [:P]

    DG


  •  fcw says that we can legitimately obtain rates by obtaining "surveys published by reputable trade or professional bodies."

    So, I would like to pronounce that THIS THREAD IS AN OFFICIAL SURVEY.

    Also I would like to announce that I am a professional body. (160 lbs., 8% bodyfat)

    The line starts here, ladies.

    Clark


  • I always love articles that start out "I'm not a lawyer, but..." In other words, everything I say here could be a complete misunderstanding of the truth, but I'm going to publish it anyway.

    I missed the original deleted post, so I can't comment on that. However specifically for arranging in the USA there are union minimums which basically say that arranging rates must be higher than orchestration. Orchestration minimum rates are clearly defined by collective bargaining agreements which list per page rates based on the number of lines and other terms of the contract. There are specific agreements for films, live TV, videogames, etc. The rates vary per agreement as a result of negotiations over amount of potential work, industry revenues, secondary payments, and the like.

    To say we can't collectively discuss rates would mean we also can't have a union. The information is freely available on the web to anyone who visits the AFM site.

    Composing has no set minimum rates as composers do not have a union or guild to collectively negotiate terms. As a result, fees vary widely. That is, they vary VERY WIDELY. Also be aware that things are different with composing because composers usually are not considered employees in the USA for most situations. If you want some rough numbers, the Flim Music Network occasionally publishes a rate survey for less than $20, if I recall. I think it's a downloadable pamphlet.