Herb,
First of all, danke fuer deine (Ihre?) antwort, und auf alle faelle, viellen dank fuer einen wunderbaren Produkt. Sorry for the lousy grammar, it's been a while since I lived in Vienna!
To all,
All of this not only makes a lot of sense, but is also aurally noticeable. The sample is clearly different when it is an interval note...at least when one listens very carefully (trying not to critique the consistency of VSL samples too much![A]).
However, I still don't understand why I can try any other pitch in its place and get the full length that I want. I'm still wondering if I did something weird, but I just can't find it. I've looked all over to see if I accidentally recorded a controller message, but nothing has surfaced yet. In any case, I've used the sus patch on that note, and am getting over it. [:D]
By the way, the passage in question is the first movement of Beethoven's Op.131 string quartet...the incomperable fugue that starts the equally incomperable 7 movement masterpiece. This is without a doubt one of my all time favorite pieces, and I thought it would make a great exercise for tempo and dynamic shaping. The statement of the fugue subject by the second violin goes to D4 on its 4th note. The same idea works fine in every other instance and in every other key center and instrument that the fugue subject appears except for that one.
Herb, if a passage has uninterrupted legato notes, that means that all of them other than the first are interval notes, regardless of how long the passage is?
Thanks,
Omid