The whole reason for this undertaking was incredibly basic: longer sustains.
I could not accept the fact that my notes were dying on me before I wanted them to! And I simply do not have the time to do all manner of workarounds (no matter how ingenious [[;)]] ). Try explaining that to your client who's paying you by the hour!
Especially with something as revolutionary and beautiful as the perf.legato Violins.
But you're right about the samples: consistently and meticulously sampled across the entire range, even between different articulations. The stereo image is extremely stable. Any drifting would have made this crossfading exercise impossible. An outstanding achievement by VSL.
BTW, as much as I need to repeat this process for the Viola and Cello sections, I may pause. There may well be a new Strings revamp in the pipeline...
Glad that you've found this helpful, Plowman.
Best wishes,
Mike.
I could not accept the fact that my notes were dying on me before I wanted them to! And I simply do not have the time to do all manner of workarounds (no matter how ingenious [[;)]] ). Try explaining that to your client who's paying you by the hour!
Especially with something as revolutionary and beautiful as the perf.legato Violins.
But you're right about the samples: consistently and meticulously sampled across the entire range, even between different articulations. The stereo image is extremely stable. Any drifting would have made this crossfading exercise impossible. An outstanding achievement by VSL.
BTW, as much as I need to repeat this process for the Viola and Cello sections, I may pause. There may well be a new Strings revamp in the pipeline...
Glad that you've found this helpful, Plowman.
Best wishes,
Mike.