I would imagine that getting the original sampled performers to play the exact same way for similar articulation samples would be near impossible. I imagine that getting each tone sample to match the rest is a feat on its own. The consistency which allows these samples to appear to us as "instruments" seems to me to be a great effort. That is what we paid for.
What draws us to this product is it potential for realism in the sound of the final audio. Personally, I don't care *how* they achieve it. If a competitor of VSL figures out how to do it better -- maybe without timestretched samples -- guess they will be able to charge more. God bless them!
I think what we have here is a matter of marketing seeming a touch ahead of technology. VSL brags about the samples, the silent stage, the "real" elements used, while saying little about the special tricks and audio blending involved. Marketing-wise, this makes sense for this kind of product. We want realism and would be jarred by seeing "timestretching" in the marketing.
But, heck, we *know* that the samplers we play these samples through use crossfades and envelopes and all manner of "synthetic" elements to make this all blend. And these forums are riddled with the digital advice of how to make things sound more realistic -- reverb settings, new instrument programming, etc. Basically: whatever works to achieve the end result.
Herb & co. : You used a synthetic method to achieve a certain result. This is not in your marketing anywhere. But -- oh wait -- these are samples, playing through samplers... on computers, no less!
And darn it, it works!
For my money, I am happy.
When you -- or someone else -- figure a way to make it better, you will get more money from me. [:)]
What draws us to this product is it potential for realism in the sound of the final audio. Personally, I don't care *how* they achieve it. If a competitor of VSL figures out how to do it better -- maybe without timestretched samples -- guess they will be able to charge more. God bless them!
I think what we have here is a matter of marketing seeming a touch ahead of technology. VSL brags about the samples, the silent stage, the "real" elements used, while saying little about the special tricks and audio blending involved. Marketing-wise, this makes sense for this kind of product. We want realism and would be jarred by seeing "timestretching" in the marketing.
But, heck, we *know* that the samplers we play these samples through use crossfades and envelopes and all manner of "synthetic" elements to make this all blend. And these forums are riddled with the digital advice of how to make things sound more realistic -- reverb settings, new instrument programming, etc. Basically: whatever works to achieve the end result.
Herb & co. : You used a synthetic method to achieve a certain result. This is not in your marketing anywhere. But -- oh wait -- these are samples, playing through samplers... on computers, no less!
And darn it, it works!
For my money, I am happy.
When you -- or someone else -- figure a way to make it better, you will get more money from me. [:)]