@JWL said:
8 Mac Minis as VI farms! The idea is cool, but you will see quickly that the opinions vary and even dare fly in the face of success reports of the owner of the octet of M&Ms.
I have been following that thread, and your take on the varied opinions is exactly why I'm nervious as well. As we all know, most of us are real world beta testers for a lot of this stuff and not everything out there functions as well as advertised. Trying to get a bead on what's the best investment direction is tricky.
Here's the thing. If you want to be on the cutting edge, you have to take risks, becaue you're doing something that has not been done before. But if you want a system that's 100% stable and risk-free, which is perfectly understandable in a working situation, then you should wait a few months.
My policy is to never make big changes to a studio when I'm on a project. I follow this policy when I work for other composers. I would never suggest to a composer working on a project to start messing around with his gear. But if you're in between two projects and have a few weeks in front of you that allows for some testing, then the risk is smaller.
Now, in terms of money, as I said in other topics, the good thing with the Mac Mini setup is that you can invest at your own pace. You can start with one or two MMs, just to see how things are going. The investment is limited, and if it doesn't work, you're not screwed.
Whatever you do, make sure your old system is still available as a back-up. Nothing worst than to realize your new gear doesn't work as well as you thought, while you're in the middle of a project, and you have no back-up to fall back on.
The other solution is to have a second workstation, on which you do all the "new gear" testing. That's more expensive, but it allows you to buy and test new stuff while your main workstation is always operational. Once you're sure that the gear works for you, you can just install it on your main workstation.
Just a couple of ideas to help you out in your choice...
Jerome