Thanks for chiming in Steven.

I have seen this in the saxes as well, I think, with all due respect to the VSL team, that they are perhaps not understanding that many end users are not playing classical symphonies with VI....they are doing modern film scores, and even classic popular arrangements where the ranges are perhaps less conservative.

I don't feel like they need to go to extremes, but often, as in the case of the horns, one of VSL's strongest instruments, they have missed the mark on the unisons. Let's hope that some way, they could be added down the road. If it hurts the players lips, then so be it, let them take a break and do the final note. This collection is very expensive[;)]

Tom H

Hi Guys,

I thought I'd better add, that here in London, the session Horn guys would, and can play a4 in these highest ranges all day, with rarely a split.

Regards

Dave Hage

I agree with all the above sentiments. I have had to make copious use of the pitchbend wheel recently; not something that I am used to doing with VSL products [[:|]]

DG

@dfhage said:

Hi Guys,

I thought I'd better add, that here in London, the session Horn guys would, and can play a4 in these highest ranges all day, with rarely a split.

Regards

Dave Hage

they'd better - i've got a session at angel in a week when they're doing just that!!

Three weeks ago, I convinced my boss to get the VI Symphonic Cube. I finally finished the whole setup last week, and he tried the samples. He absolutely loved them.

However, while impressed at some of the instrument's ranges, when playing around with the 4 horns patch, he was absolutely dumbstrucked about them not going higher than that. He said that any good horn section could go at least a whole step above the VI limit. An excellent solo player could even go up to the F sometimes.

Just so the VSL guys know, my boss has been working in Los Angeles as an orchestrator for the past 25 years. He has a *very* good idea of how far an instrument can go, and he was really disappointed that the 4 Horns patch didn't go higher.

For him, as for many other poeple, it's creatively limitating.

Just my 2 cents!

Jerome

In addition to all of the above, we as users are no longer able to "cheat" by adding extra notes at the top or bottom, as we could in the Pro Edition. One can use an app like Melodyne to tweak a sample at least one or 2 tones up or down without sounding bad at all.

In VI, there is no user-configuration possible. While I understand VSL's reasons for doing this, it is sometimes frustrating.....

Perhaps in an update we will have an extra page in VI to extend or configure ranges?

Regards - Colin

Hi Paul,

It's a small world, at Abbey tomorrow re-recording "The Sound of Music"

Regards

Dave Hage
Dakota Music Services

@dfhage said:

Hi Paul,

It's a small world, at Abbey tomorrow re-recording "The Sound of Music"

Regards

Dave Hage
Dakota Music Services

the sound of music? you deserve all the pain coming your way [:D] [:D] off to prague tomorrow for part 1. neeeeddddddd sssllllleeeeeeeppppppppp...

Would be nice to have some kind f access to the instrument mapping, so we could extend the end notes, syntheticly. Sure its not real, but neither is pitchbend [:D]

And again today....was asked to do a replication of a Sarah Brightman orchestral track....I should have known ....key of D....and unison horns in the track I was imitating.....guess what notes their horns played....yep...D one octave above middle C.

Very frustrating.

TH

@Christian Marcussen said:

Would be nice to have some kind f access to the instrument mapping, so we could extend the end notes, syntheticly. Sure its not real, but neither is pitchbend [:D]

Me too - often have to use the Pro-Ed where extending the range is a 2 second job.

Julian

Even if there would be access to the mapping and you would understand the mapping interface, it wouldn't be any help, because the core engine does not allow upstretching.
It's an optimisation issue by design (in our engine), because upstretching means faster playback, means shorter timespan for the buffered part of the samples, means streaming problems.

best
Herb

Any chance accomodating this in the future - as well as standard orchestral scoring VI's are excellent to use in Sound Designs and being able to lift and lower sounds beyond their normal range is a widely used tool.

Thanks

Julian