Julian,
Yes, I believe you are right that it's mostly a voice limit issue. Thanks for reminding me of that. I was mentally wrapped up in the RAM thing and was overlooking voices. The fact that I use a breath controller and velocity crossfader most of the time probably adds to the voicing density problem. However, it works well for most instruments musically and has become an important part of my work flow.
It seems that you, Plowman and I have quite similar rigs. But anyway you look at it and no matter what the careful observation of the problem may show it's still the same problem - insufficient resources on a single cpu to playback a large number of instrument articulations. It especially gets wobbly if you add in other software like Kontakt, etc., etc., etc.
Plowman,
I'm starting to feel pretty strongly about going to multiple cpu's. I don't know what form this will take yet. I guess this is the start of my investigation. I probably will wait until January before I implement any new system. This gives me the chance to hear from the Apple Developers Conference next week, AES in October, MacWeek and NAMM in the first part of Jaunary. By that time there will be further annoucements of new Macs (hoping even for a new Mac Mini) and developments with VSL and other library developers. This will give me the time and the mental resources to figure out the best way to go. I'm not counting out going the PC route either. If PCs present the best workflow I will go that way.
Is it SvK who has the Mac Minis? Does he use Plogue Bidule? I don't even know if each of the slave computers need an audio interface. It will be a real learning experience for me.
I feel for you on the Giga issues. I didn't get into this whole thing until Giga had mostly run its course. Glad I never had to go there.
Yes, I believe you are right that it's mostly a voice limit issue. Thanks for reminding me of that. I was mentally wrapped up in the RAM thing and was overlooking voices. The fact that I use a breath controller and velocity crossfader most of the time probably adds to the voicing density problem. However, it works well for most instruments musically and has become an important part of my work flow.
It seems that you, Plowman and I have quite similar rigs. But anyway you look at it and no matter what the careful observation of the problem may show it's still the same problem - insufficient resources on a single cpu to playback a large number of instrument articulations. It especially gets wobbly if you add in other software like Kontakt, etc., etc., etc.
Plowman,
I'm starting to feel pretty strongly about going to multiple cpu's. I don't know what form this will take yet. I guess this is the start of my investigation. I probably will wait until January before I implement any new system. This gives me the chance to hear from the Apple Developers Conference next week, AES in October, MacWeek and NAMM in the first part of Jaunary. By that time there will be further annoucements of new Macs (hoping even for a new Mac Mini) and developments with VSL and other library developers. This will give me the time and the mental resources to figure out the best way to go. I'm not counting out going the PC route either. If PCs present the best workflow I will go that way.
Is it SvK who has the Mac Minis? Does he use Plogue Bidule? I don't even know if each of the slave computers need an audio interface. It will be a real learning experience for me.
I feel for you on the Giga issues. I didn't get into this whole thing until Giga had mostly run its course. Glad I never had to go there.