It seems that all the repetition samples for every note are adjusted in timing so that they will sound regular (timingwise) when you play them straight with a sequencer.
However from one note to another note (different note number in the same articulation) the points of attack are seriously different.
This means if I have a repetitif regular note playing and the timing is good & straight but decide to change some note values for specific upbeats (creating a new melodic pattern) it seems that the changed notes will have a different timing. These notes can now sound late (or early) and totally spoil the fluidity of the rythm. I mean 'seriously'. So you have to reposition the notes by nudging them to make them sound in time with the rest of the existing line.
I've had this with spicato (or stacato) violins.
Is it normal?
Charl
However from one note to another note (different note number in the same articulation) the points of attack are seriously different.
This means if I have a repetitif regular note playing and the timing is good & straight but decide to change some note values for specific upbeats (creating a new melodic pattern) it seems that the changed notes will have a different timing. These notes can now sound late (or early) and totally spoil the fluidity of the rythm. I mean 'seriously'. So you have to reposition the notes by nudging them to make them sound in time with the rest of the existing line.
I've had this with spicato (or stacato) violins.
Is it normal?
Charl