well i found it what annoys me:
i thought the samples in the lower octave are the left hand samples, and the upper octave the right hand, that way i programed the whole ouverture for the ballet, now i heard the upper samples are just damped versions and the lower ones.
Five samples are simply not enough for repetition, in a nine stroke roll from hand to hand with 20 hits in a second, you would hear five unique sounding samples only where 20 are required.
Anyway, it would be good to have samples without the batter head ringing, as we use for tight percussive work. It would be too bad if i had to use other snare samples, who where recorded in another room. A Ludwig Super Sensitive 12", 13" piccolo and a 14", or a Radio King snare would do on the medium snared drum sizes.
Well i saw the new Percussion set available soon. Then i may make a demo for here of the piece "IONISATION" 1934, by Edgar Varèse.
I wonder what Emil Richards, Joe Porcaro, Richie Lepore, (or Victor Feldman who died), would say if i ask them to record their arsenal of percussion instruments for library. Richie has a seven timpani set. You should have a look at the catalog of instruments available they give to us composers....
[:)]