I never really understood the introduction of "Dynamic Compression" in the Synchron Player, because, in my opinion, the libraries sound "better" or more natural without it. Also, I don't think that the volume balancing makes sense. I prefer the instruments with both compression and volumes untouched. It might be due to the fact that you time-aligned the (main) microphones... is compression really needed? To me it sounds, as I said before, unnatural (in lack of a better term).
One other thing I noticed is: With compression deactivated (i.e. with a value of 0% ) there is something wrong with the mapping of the lyrical legatos. I haven't tested every instruments yet, but for some the dynamic layers (p > f) are reversed. The flute (one of the first ones with this lyrical approach) is correct, but the oboe and others are reversed. Is this a bug?
