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  4. Post Mixing...

  • Post Mixing...

    O
    O
    I was wondering if after finishing a song (setting up EQ and reverb w/in the sampler), is it necessary to mess with the EQ and such afterwards? Hope that makes sense...
  • DietzD
    VSL Team
    DietzD
    Hmmm ... maybe I misunderstand your question completely, but I think you are wondering about a process usually called "Mastering" (... actually: pre-mastering), which is the last step _after_ mixing, but _before_ cutting the master for mass-replication (be it vinyl, CD, or whatever). Is this what you want to discuss?
    /Dietz - Vienna Symphonic Library
  • O
    O
    Yes [:)]. I apologize for not being more clear. Is there some kind of book I can purchase on that topic?
  • D
    D
    http://digido.com/portal/pmodule_id=11/pmdmode=fullscreen/pageadder_page_id=66/
  • O
    O
    Awesome, thanks a lot dbudde. [:)]
  • DietzD
    VSL Team
    DietzD
    This would have been my first link, too. Thanks, Dbudde!

    Here's another one:
    -> http://www.tcelectronic.com/TechLibrary

    HTH,
    /Dietz - Vienna Symphonic Library
  • O
    O
    Thanks Dietz.

    What program do you guys master with?
  • DietzD
    VSL Team
    DietzD
    [:D] ... my "program" is a set of human beings, equipped with arms. legs, and - most important - golden ears, with access to impressing collections of both analogue and digital gear and finally great listening environments. I use to call them "Mastering Engineers". - One of these guys with the most impressing credits in this country is Mr. Martin Rajek, who is a core-member of the MIR-development team, BTW.

    But seriously: Whenever you want to finalize your work for more than you personal listening pleasure, you should really consider the help of someone spezialized in this task.

    For the quick'n'dirty "Make it LOUDER!"-tweaks I use a combination of gentle saturation for more density (like Steinberg's Magneto, PSP's VintageWarmer or CraneSong's HEDD/Phoenix), some unobtrusive EQing to get rid of ugly resonances, and finally multi-band compression/limiting depending on the situation (tools for this task range from Waves' L3, db-AudioWare's db-M or t.c.electronic's MD3).

    HTH,
    /Dietz - Vienna Symphonic Library
  • O
    O
    last edited
    last edited

    @Another User said:

    Originally quoted by Dietz
    [:D] ... my "program" is a set of human beings, equipped with arms. legs, and - most important - golden ears, with access to impressing collections of both analogue and digital gear and finally great listening environments. I use to call them "Mastering Engineers". - One of these guys with the most impressing credits in this country is Mr. Martin Rajek, who is a core-member of the MIR-development team, BTW.


    .....I'd imagine they work for free, too....right? [:D]