@SeaVin A bit of trouble shooting for you. Do you get the unwanted low frequency sound if you swap the Contrabass with one of the Apple supplied instruments that can play in the same range?
Just a beginner
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@rAC said:
@SeaVin A bit of trouble shooting for you. Do you get the unwanted low frequency sound if you swap the Contrabass with one of the Apple supplied instruments that can play in the same range?
Yes I do say that at the end of the long first paragraph that it doesn't occur with Apple's studio strings
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@SeaVin said:
@rAC said:
@SeaVin A bit of trouble shooting for you. Do you get the unwanted low frequency sound if you swap the Contrabass with one of the Apple supplied instruments that can play in the same range?
Yes I do say that at the end of the long first paragraph that it doesn't occur with Apple's studio strings
Sorry I missed that:-). Can you post the project just with the miss behaving track and I'll try it on my system.
Just a beginner -
@rAC said:
@SeaVin said:
@rAC said:
@SeaVin A bit of trouble shooting for you. Do you get the unwanted low frequency sound if you swap the Contrabass with one of the Apple supplied instruments that can play in the same range?
Yes I do say that at the end of the long first paragraph that it doesn't occur with Apple's studio strings
Sorry I missed that:-). Can you post the project just with the miss behaving track and I'll try it on my system.
No problem at all. Thanks for offering to help. I may have isolated the problem. It happens with the "DB-3 Long Vib" patch for the contrabass. There may be more samples it occurs with. But when I switch to one of the legato samples instead of the long one, the continual low frequency rumble goes away. I can send you a project with just that if you wish a little later.
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@ravez said:
I had this issue before and it was just because of the remote keyswitch note that was actually in the playing in range of the contrabass, might be worth checking that out.
It might also be that you have inadvertently linked e.g the Celli articulation map instead of the CB one to the CB track.
The way you describe the issue seems to be linked to or in the CB track but you could mute all tracks then unmute one after the other to find the culprit.
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@Mavros said:
@ravez said:
I had this issue before and it was just because of the remote keyswitch note that was actually in the playing in range of the contrabass, might be worth checking that out.
It might also be that you have inadvertently linked e.g the Celli articulation map instead of the CB one to the CB track.
The way you describe the issue seems to be linked to or in the CB track but you could mute all tracks then unmute one after the other to find the culprit.
I use one map for all Elite instruments, i just adapted it to work with the playing range of all the instruments to avoid the issue, so basically keeping the remote keyswitches below and above the lowest and highest playing note of all libraries, works perfectly.
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I'm far from being an expert or even experienced user so unless I'm looking at this wrong the keyswitches are fine and out of range of the instrument. Attaching picture where it shows the ranges. Also picture shows sound level meter in both Synchron and Logic when nothing is playing. It's coming from the long sample. As soon as I replace it with something else the sound goes away. Also I'm keeping things simple right now to just get going and understand all this ( it's the first time I've worked with articulations and keysets ) so just have 2 articulations that act like a broad brush for fast and slow sections. I'm planning to get more precise with more fine control later. I found out that this isn't specifically restricted to the Double Bass. I just thought so because it's a low frequency rumble and it was ocurring on that track. But if I use the long sample in the violin the same thing happens.
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Thanks - I didn't think about that but they do match up. I'll create a project that specifically causes that problem and post here a little later. I did realize though that I didn't have the keyswitches in logic for the articulations in the range specified by VSL - I'd just set them for the notes and sections in the midi since Logic allows that and I thought that would be sufficient. I realized that the switching wasn't happening and now that works. ( duh! )
