@lupine said in [NEW: SYNCHRON DUALITY STRINGS](/post/317042):

Yes, I also hope Paul can chime in here. Their older strings libraries such as Appassionata and Dimension Strings have 4 layers for longs and legatos, and more for the shorts.
I'd like a new string library (specially a library with an improved legato like they said) to come with a larger amount of layers other than features like simultaneously two rooms recording, in order to avoid faking missing layers with CC11 envelops or filters.
I also wonder why octave and fifth runs come in major scales only and why the ascending and descending third runs are not specular: if you want to play an ascending third and then come back down you can't do that on every note, because they did not record every single third up and down :(

Hello Lupine
Hello to all those who are still undecided about taking advantage of the offer until the end of July.

I am currently working on a demo that will show the sound and its possibilities of this new library in detail. Here is a small preview - at least audio-wise.

The examples are all without presets, but all as the libraries were originally recorded. There is no better way to judge the library and its sound. Have fun so far.

You ask about the number of layers. Unfortunately I don't know the answer to this question, but from the sound point of view this question doesn't arise. It simply sounds natural from soft to loud, without any gradations as with earlier libraries. Especially in combination with the Timbre Controller (CC08) you can support the sound as it suits you.

As far as runs are concerned, the Legati are so great that you can write out a run and it actually sounds the same as the runs that are stored as a whole. So it doesn't bother me that there are only major runs.

During the production of the demo, I never had the feeling that I could not realise one of my ideas. With earlier libraries, there were often limitations that made a necessary game form simply not possible. Of course, you have to have a certain dexterity and know the sound possibilities of the library well in order to get a real playing result.

See you later - when the demo and the video are ready.
Beat

@Beat Kaufmann said in [NEW: SYNCHRON DUALITY STRINGS](/post/317054):

@lupine said in [NEW: SYNCHRON DUALITY STRINGS](/post/317042):

Yes, I also hope Paul can chime in here. Their older strings libraries such as Appassionata and Dimension Strings have 4 layers for longs and legatos, and more for the shorts.
I'd like a new string library (specially a library with an improved legato like they said) to come with a larger amount of layers other than features like simultaneously two rooms recording, in order to avoid faking missing layers with CC11 envelops or filters.
I also wonder why octave and fifth runs come in major scales only and why the ascending and descending third runs are not specular: if you want to play an ascending third and then come back down you can't do that on every note, because they did not record every single third up and down :(

Hello Lupine
Hello to all those who are still undecided about taking advantage of the offer until the end of July.

I am currently working on a demo that will show the sound and its possibilities of this new library in detail. Here is a small preview - at least audio-wise.

The examples are all without presets, but all as the libraries were originally recorded. There is no better way to judge the library and its sound. Have fun so far.

You ask about the number of layers. Unfortunately I don't know the answer to this question, but from the sound point of view this question doesn't arise. It simply sounds natural from soft to loud, without any gradations as with earlier libraries. Especially in combination with the Timbre Controller (CC08) you can support the sound as it suits you.

As far as runs are concerned, the Legati are so great that you can write out a run and it actually sounds the same as the runs that are stored as a whole. So it doesn't bother me that there are only major runs.

During the production of the demo, I never had the feeling that I could not realise one of my ideas. With earlier libraries, there were often limitations that made a necessary game form simply not possible. Of course, you have to have a certain dexterity and know the sound possibilities of the library well in order to get a real playing result.

See you later - when the demo and the video are ready.
Beat

Hi Beat,

I'm looking forward to your  VSL Synch. Duality Strings Tutorial, and the delicate strings serenade music of Tchaikovsky, I noticed violin players using a mute on their instruments, so this piece might even be better to emulate with the upcoming Sordino version of Duality Strings. 

Thanks,

Muziksculp 

Thanks for the feedback on the short articulations. 

Hi everybody,

You will want to check out our Synchron Duality Strings Contest with Guy Bacos!

Best,
Paul

@Beat Kaufmann said in [NEW: SYNCHRON DUALITY STRINGS](/post/317054):

@lupine said in [NEW: SYNCHRON DUALITY STRINGS](/post/317042):

Yes, I also hope Paul can chime in here. Their older strings libraries such as Appassionata and Dimension Strings have 4 layers for longs and legatos, and more for the shorts.
I'd like a new string library (specially a library with an improved legato like they said) to come with a larger amount of layers other than features like simultaneously two rooms recording, in order to avoid faking missing layers with CC11 envelops or filters.
I also wonder why octave and fifth runs come in major scales only and why the ascending and descending third runs are not specular: if you want to play an ascending third and then come back down you can't do that on every note, because they did not record every single third up and down :(

Hello Lupine
Hello to all those who are still undecided about taking advantage of the offer until the end of July.

I am currently working on a demo that will show the sound and its possibilities of this new library in detail. Here is a small preview - at least audio-wise.

The examples are all without presets, but all as the libraries were originally recorded. There is no better way to judge the library and its sound. Have fun so far.

You ask about the number of layers. Unfortunately I don't know the answer to this question, but from the sound point of view this question doesn't arise. It simply sounds natural from soft to loud, without any gradations as with earlier libraries. Especially in combination with the Timbre Controller (CC08) you can support the sound as it suits you.

As far as runs are concerned, the Legati are so great that you can write out a run and it actually sounds the same as the runs that are stored as a whole. So it doesn't bother me that there are only major runs.

During the production of the demo, I never had the feeling that I could not realise one of my ideas. With earlier libraries, there were often limitations that made a necessary game form simply not possible. Of course, you have to have a certain dexterity and know the sound possibilities of the library well in order to get a real playing result.

See you later - when the demo and the video are ready.
Beat

Hello Beat,

thank you your kind feedback on the library, very appreciated.
I am looking forward to your demo and video.

If we do a trial of the Duality Strings and decide not to purchase (at least for now), are we able to uninstall the library from the hard drive on our M1 Apple mini so we are not using up valuable space for something we aren't using? Are related instructions clearly printed out somewhere?

Hi Mike 999, 

Sure, you can delete the data. Simply click UNINSTALL in your Vienna Assistant and you're done. 

Best,
Paul

Thank you. One of the things I really like about VSL is the clear, logical layout and controls that accommodate new users.

Mike

Is there anywhere posted a chart showing which velocity # equates with which dynamic layer for any of the Synchron libraries?

Thank you

Hi @cinematicpop

There is no such chart. But think about fading between our dynamic layers the same way you think of musical terms.

Lowest dynamic = piano pianissimo (ppp)

Medium dynamics = mezzio piano & mezzo forte (mp & mf)

Loudest dynamic = forte fortissimo (fff)

It is best to tackle this with common & musical sense & feeling.

Best, Andreas

@Beat-Kaufmann said:

@lupine said in [NEW: SYNCHRON DUALITY STRINGS](/post/317042):

Yes, I also hope Paul can chime in here. Their older strings libraries such as Appassionata and Dimension Strings have 4 layers for longs and legatos, and more for the shorts.
I'd like a new string library (specially a library with an improved legato like they said) to come with a larger amount of layers other than features like simultaneously two rooms recording, in order to avoid faking missing layers with CC11 envelops or filters.
I also wonder why octave and fifth runs come in major scales only and why the ascending and descending third runs are not specular: if you want to play an ascending third and then come back down you can't do that on every note, because they did not record every single third up and down 😞

Hello Lupine
Hello to all those who are still undecided about taking advantage of the offer until the end of July.

I am currently working on a demo that will show the sound and its possibilities of this new library in detail. Here is a small preview - at least audio-wise.

The examples are all without presets, but all as the libraries were originally recorded. There is no better way to judge the library and its sound. Have fun so far.

You ask about the number of layers. Unfortunately I don't know the answer to this question, but from the sound point of view this question doesn't arise. It simply sounds natural from soft to loud, without any gradations as with earlier libraries. Especially in combination with the Timbre Controller (CC08) you can support the sound as it suits you.

As far as runs are concerned, the Legati are so great that you can write out a run and it actually sounds the same as the runs that are stored as a whole. So it doesn't bother me that there are only major runs.

During the production of the demo, I never had the feeling that I could not realise one of my ideas. With earlier libraries, there were often limitations that made a necessary game form simply not possible. Of course, you have to have a certain dexterity and know the sound possibilities of the library well in order to get a real playing result.

See you later - when the demo and the video are ready.
Beat

Here is the final version of the video, mentioned above.

It is a video that generally explains how to make music with VSL samples. It highlights the Duality strings in particular, because strings are used in almost all major productions.
The video touches on all the important points for achieving a musical result. Of course, the individual steps and measures usually only show one of several possible approaches.

Have fun

Beat