Thanks for sharing!
/Dietz - Vienna Symphonic Library
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There's a lot of good study books and tutorials in the Logic universe, but when it comes to degree of detail, graphic layout and depth of information, Edgar stands alone. The production quality of his videos is superb. These are the products of a man totally immersed in his work.
I too have no professional affiliation with him.
No doubt he'll also cover Logic Pro 10.7 very soon.
No doubt indeed:
http://dingdingmusic.com/-titles-/logic-pro---whats-new-in-10_7.html
I started some experimentations with the new Dolby Atmos support in Logic Pro 10.7, following the excellent videos from Stephen Limbaugh.
But the implementation in Logic is slightly different from the one in the videos, and some aspects of Atmos related to "ambience" (basically reverb...) are still a bit confusing to me.
I'm sure the fine people at VSL are already working on tutorials on how to get the best from Atmos in Logic Pro 10.7 but, if they're not, I would suggest the following topics:
Those are my two cents on the subject. I hope it can help because, after only a short time experimenting with Atmos, I'm really convinced Atmos will be a complete game changer.
Thank you Paul for that very useful Logic/Atmos/Synchron intro video, and I'm also much obliged to Bernd Mazagg (Sychron Stage Technical Director and Chief Recording Engineer) for providing you and us with some much needed stakes in the ground regarding Logic/Atmos setup with a Synchron (full) library.
I'm currently experimenting with Synchron Timpani (full) in Atmos (binaural), also comparing it with another timpani library recorded in 3D at Galaxy Studios, Belgium - home base of Auro Technologies, the pioneers of 3D immersive sound. I must say, whilst I've always been extremely happy with my huge rock drums library also recorded in 3D at Galaxy, when it comes to orchestral percussion and especially timps, I'm finding that the sense of 3D acoustic space I'm getting from Sychron Stage is preferable for orchestral works. Compared to Sychron Stage A (trapezoidal plan) acoustics, the Galaxy (rectangular plan) live room seems more definitely 'closed' and 'finite' - which works out great for rock, metal, jazz, etc, drums, but to my ear, sounds just a tad too obviously 'constrictive' for renditions by orchestral instruments. By contrast, Synchron Stage ambience tends to open out as it decays, evoking a more enigmatic, less obtrusively limited sense of space - perfect for intricate, nuanced orchestral performances; also ideal for seamless metamorphosis into added long-tail artificial reverbs. Horses for courses.
But I digress. Lol, sorry.
I'm eagerly awaiting further illuminating VSL videos on Logic/Atmos/Synchron.
I started some experimentations with the new Dolby Atmos support in Logic Pro 10.7, following the excellent videos from Stephen Limbaugh.
More videos coming soon, this time working specifically in Logic 10.7 instead of the Dolby ATMOS Renderer!
I started some experimentations with the new Dolby Atmos support in Logic Pro 10.7, following the excellent videos from Stephen Limbaugh.More videos coming soon, this time working specifically in Logic 10.7 instead of the Dolby ATMOS Renderer! Here it is! https://m.youtube.com/watch?v=frACG36J_VM&feature=emb_title