Hi,
I love to put MIRacle everywhere at the end of my projects. I like the transparent density of this reverb. It sounds to me, after a few analytical listening, not dissimilar from the character and quality of a Bricasti M7.
I usually go the straight way, and just apply it as a single instance at the end of the mix. But is this the correct way of using it? When we didn't have MIR, we used reverbs in layers. One for the first row (strings), one for the middle row (woodwinds), one for the last row (brass and percussion), plus other layer for voices and choir.
Wouldn't MIRacle work better if still applied in separate layers, after MIR (or the multiple mics)?
Also: should the layers of reverb be applied to the close/mid mics only, or also to the full output?
Is this idea of layers of reverb already realized with the internal reverb sends of he Synchron Player presets?
Time to experiment, but I wonder what's the other's experience.
Paolo