Hi guys,
i am currently in the finals of programming a score for a pop song, which is sent over to another engineer for mixing, who doesnt have MIR and most certainly dont want to bother with it. MIR became an integral part of the sound the producer team wants, so im currently figuring a way out to best prepare the score tracks for mixing (stereo)
How do you prepare a MIR mix for another engineer? What is the best practice to split Reverb and the dry instrument (aka Spot and Room mics)?
Greets,
Joey