@Sandrew said:

Just out of curiosity: Is it known how many velocity layers the Synchron String Pro articulations will have? I couldn't find that information in the description of the product or the sample content list. I find 9 layers a bit of an overkill, but two (like most of the SYNCHRON-ized Instruments I own) can be a bit scarce at times.

Hi

The number of velocity layers is described precisely for each articulation in the manual of the library.

Best, David

Oh, ok well I know all i wanted to know now :) Thanks for the quick reply.

I find the demos sound really fantanstic and very expressive btw :)

Hello Paul,

could you tell us how many velocity layers Synchron Strings Pro comes with?

I totally agree. I am one of the early adaptors who was disappointed with Synchron Strings I and I actually un-installed it and never could use it in my projects. I learned my lesson of not being an early adaptor ever again. My love and trust for the company and its' name made me never question any product they release and with such a company I was willing to buy their libraries instantly without a second thought.

That being said, I am very excited for the new Synchron Pro library but I too find it a steep price to pay for something I should of had with the first Library. How I think about it is if I should buy this new library and pay on top of the price of the original library just to use one of them and feel better that at least I got something in return for my initial investment. I don't think I can do that, it will make the price for me too big to make sense. But what I am hearing from this new library is tempting me.

Thanks

Hi Paul

The demo's of the new Synchron Strings Pro left me speachless - its absolutely stunning and the closest to the real thing I have hear to date. So I will be "upgrading" from strings 1 post haste.

But now please tell me that you plan to do a con sordino extention to this library - right? 

It would be so gorgoues :-)

best regards

Bjarne

Dear VSL-Team,

I spend quite some money for you libraries in the last years but this time its really worth it. In it´s ease of use its a real gift, even i payed for it. Hihi. Congratulation!. 

01 1st Violins-14 Pro XF sus

C#1 Long Notes > F2 XFades > B2 Flautando X pp > Flautando  : the Flautando patch is mapped up to G7, causing it to sound when the Release key switches for pianissimo F7/G7 are chosen (when the crossfade using CC 20 is low enough to allow the Flautando to be heard). 

Never mind. Noticed that I made a mistake on my own.

However, I will leave it to a question. Does the Synchron Strings Pro do anything different compared to the VI series in regard to VXF? I feel like the VI series seamlessly replaces samples to more and more expressive when moving up the VXF slider. Synchron Strings Pro feels more like additional samples are added on top of another moving up the VXF slider the same way.

Is there a difference here or is it just my interpretation?

Hi Jhonny, 

Glad you could resolve your problem. Do you want to post an example of what you hear?

The Velocity XF process is identical, but of course multiple mics create a different sound than 1 stereo channel that is sent to a reverb. 

Best, 
Paul

I concur with Plowman, there appears to be a small error in one of the factory presets.

In the factory preset: "01 1st Violins-14 Pro XF sus"; tree path: "Long notes/XFades/Flautando X pp/Pianissimo", the mapping of "Release" dimension keyswitches "Normal release" on F7 and "Soft release" on G7 coincides with Flautando voiced notes F7 and G7. The consequence is that Flautando note F7 or G7 will speak audibly if the dimension keyswitch F7 or G7 is operated while the "Dynamic XFade" dimension control is set to give Flautando a proportion of the mix.

Obviously the user can work around this either by moving the "Normal release" and "Soft release" keyswitches out of the way of Flautando notes F7 and G7, or else by restricting the highest-note keyboard mapping of Flautando voices to E7.

No biggie. I'm sure it'll be fixed in a future library update. :D

Thanks for the confirmation, Macker. Yes, restricting the range of the Flautando is the better solution, as it preserves the F7/G7 template found elsewhere. 

Hello plowman and Macker!
The little mistake in the 1st violins preset (flautando XF pianissimo range) will be fixed with a library update.
Best regards,
Andi

Cheers Andi 👍😊

I can also report what sounds like overlapping layers in the Tutti full range preset

> Long notes reg vib from C1 to E

Keep up the great work!

I wonder if there will be Cubase/Nuendo expression maps for the Synchron Strings Pro anytime soon. Or was I looking in the wrong place and they're already there?

Hi

I bought the library today and I really love it. I have one question though. For the Cellos legato patch (regular vibrato), the notes from C1 to D#1 sound very harsh compared to the other ones. It sounds like the tone is different. I don't have this problem with the molto vibrato legato patch or the one from Synchron Strings I. Has anyone noticed that too? Thanks! Great library!

Best, David

I know what you mean, but it's within the acceptable tollerance for me. Some extra dramam in the low register there ':D

But while we are bug reporting: The low velocity levels of 2nd Violins "Long notes" > "Regular vib." are very loud compared to the molto and senza vibrato. They are about equaly loud to the high velocity levels. Can someone confirm?

Hello 9u10m and Sandrew!

I tried to reproduce your findings.

>> I can also report what sounds like overlapping layers in the Tutti full range preset. > Long notes reg vib from C1 to E

=> I can't reproduce that. In the octave from C1 to B1 there are no keyswitches at all in the "11 Tutti full range" presets. In this range only the double basses play. From C2 to D7 there are always two sections overlapping.

>> I wonder if there will be Cubase/Nuendo expression maps for the Synchron Strings Pro anytime soon. Or was I looking in the wrong place and they're already there?

=> So far there are no Cubase Expression Maps for Synchron Strings Pro, but they are on our to-do-list.

>> The low velocity levels of 2nd Violins "Long notes" > "Regular vib." are very loud compared to the molto and senza vibrato. They are about equaly loud to the high velocity levels. Can someone confirm?

=> I can't reproduce this here.

Best regards,
Andi

@daviddln said:

For the Cellos legato patch (regular vibrato), the notes from C1 to D#1 sound very harsh compared to the other ones. It sounds like the tone is different. 

Sorry, I meant the notes from C2 to D#2 (the lowest notes of the Cellos section). Here is an audio example with regular vibrato (with the harsh notes) and molto vibrato.

Best, David

I just purchased the Syncrhon Strings Pro Standard collection and want to share that these are the most playable strings patches to date for me personally. The agile and bold short articulations play cleanly, accurately and musically.  As those of you with classical piano technique, usually we have to play down to the samples responsiveness to get the best sound from the samples.  Not with these shorts.  PLay away like you are playing a fast piano passage and the strings keep up with no hesitation.  Really nice.

The long articulations are especially nice in that they include a soft release option. This allows for larger voicings to be played without the samples building up with the dreaded end of sample build up sound.

I like the polyphonic legatos using the complete sections loaded.  They are to be played carefully as I am sure a lot of programming is going on here.  But it is possible to get a fantastic legato across many voices being played in one pass.  This seems to be a breakthrough moment for this library and string libraries in general.

Add to all of this the value of VSL's pricing for this Standard collection intro pricing and I feel they have the best strings to value package here.  I am perfectly fine with the Standard collection with basic mic positions.  Thought I'm sure the extra mic positions would be useful for certain mixing uses.