Hi VSL und Friends,
i have a question about the Synchron Pianos.
When I look at the space size of CFX, the Steinway D and the Bösendorfer Imperial, I am wondering why the space size is increasing from the first Concert Grand CFX to the latest Concert Grand Bösendorfer Imperial. As indicated in the respective introducing Video the CFX seems to have the highest number of samples Overall (285680) and also the most samples per key (up to 4200), but it has the least space size. I am very interested why is that and what does that mean technically and for the details of sound.
In reference to the first question i would like to know, whether the higher number of samples in the CFX produces the most realism and velocities of all synchron pianos or does the Bösendorfer wins the technical comparison.
The CFX is also a bit cheaper. I have already gotten the Information (apart from one microphone Position less) that there are less release and pedal samples. Does this fact means that the Steinway and the Bösendorfer Imperial achieve more realism an velocities.
For me, the number of microphone positions is less important than the maximum realism and authenticity in the player position and in the concert position as a listener.
PS: I have recently bought the Steinway Full and it is fun to play with and to hear. It is an real upgrade to the default sound of my clavinova 585. I use a similar mic combination like Philip Johnston. Does Philip Johnston really sold two acustic pianos voluntary to get a digital studio or rather for financial liquidity?