@Christian Marcussen said:

It does seem odd that only one velocity is recorded for legato, but other multiple for other articulations. If its needed for lets say sustained notes, why not for legato?

I agree completely, it is odd and is certainly an exception in VSL. How does one create different dynamics with just one dynamic level? Am I going crazy, or is it kind of strange that they would only have one dynamic? I just can't figure it out, this is completely unique for VSL, and I am just asking why they did it, and for a workaround to create dynamic contrast using performance legatos.

By the way, I have not yet purchased this library - I am just asking if I will be able to create dynamic changes in perf_leg with the woodwind ensembles before I buy it. If the answer is "no," then why would I buy the library? Even if I have to do a complicated workaround I would be willing to do it, but to claim that it is not necessary or even logical to have 2 dynamic levels is not acceptable to me.

-mvanbebber

@Christian Marcussen said:

It does seem odd that only one velocity is recorded for legato, but other multiple for other articulations. If its needed for lets say sustained notes, why not for legato?

I agree completely, it is odd and is certainly an exception in VSL. How does one create different dynamics with just one dynamic level? Am I going crazy, or is it kind of strange that they would only have one dynamic? I just can't figure it out, this is completely unique for VSL, and I am just asking why they did it, and for a workaround to create dynamic contrast using performance legatos.

By the way, I have not yet purchased this library - I am just asking if I will be able to create dynamic changes in perf_leg with the woodwind ensembles before I buy it. If the answer is "no," then why would I buy the library? Even if I have to do a complicated workaround I would be willing to do it, but to claim that it is not necessary or even logical to have 2 dynamic levels is not acceptable to me.

-mvanbebber

I doubt whether anyone could answer your question properly unless they have the library. It may well be that the ensembles sound virtually the same playing quietly as loudly; I don't know. However, I do sometimes use the "wrong" dynamic legato instrument (with the volume turned up or down) because I prefer the sound.

DG

Mvanbebber-
No, you are not going crazy, this is quite obviously a necessity, not an option. I have wondered this myself, but just avoided buying this library because I saw that there was only one dynamic level of legato.

I guess you could adjust the dynamics by using the volume slider, but that sounds very artificial in all other situations, and is certainly not ideal. It is very strange indeed that Michi seems to imply that it is not necessary to have more than one dynamic level. [*-)] Let me know what you find out, because I am interested to hear the response from VSL.

@DG said:

I doubt whether anyone could answer your question properly unless they have the library. It may well be that the ensembles sound virtually the same playing quietly as loudly; I don't know. However, I do sometimes use the "wrong" dynamic legato instrument (with the volume turned up or down) because I prefer the sound.

DG

That is a good point, but I use the VSL samples with Sibelius 4 notation program, which uses velocity to create dynamic level changes. To create dynamic changes to the same sample with the volume slider sounds very artificial, not to mention being very difficult to do in a notation program (you have to create hundreds of continuous controller midi messages.)

What I do now is to create crossfaded perf_legato samples based on velocity (just like Jay Bacal uses with mod wheel control), and I would obviously not be able to do this with the woodwind ensembles. If there was some type of workaround to fix this, I would certainly love to purchase the library.

I would use perf_legato almost exclusively, and if I couldn't change the dynamics, it would basically be useless to me (as you can imagine.)
thanks,
-mvanbebber

I decided there is no need for more than 1 dynamics for the performance legati, because I think the recorded dynamic covers the need of unisono woodwind performances very well.

OK, the pp timbre is missing. But you usually won't write for three unsisono flutes (oboes, clarinettes, bassoons) if you need a pp?

best
Herb

@herb said:

I decided there is no need for more than 1 dynamics for the performance legati, because I think the recorded dynamic covers the need of unisono woodwind performances very well.

OK, the pp timbre is missing. But you usually won't write for three unsisono flutes (oboes, clarinettes, bassoons) if you need a pp?

best
Herb

Herb-
If you are implying that I will only be happy with ALL dynamic levels, you clearly do not understand my question. Even if that were the case, the library would not only be missing the pp, but also the p, and the mf, and the f and ff.

I guess no one (including VSL) will answer my question about how to create different dynamics using the perf_leg, which makes me think it is not possible. I will have to look at other libraries, which is a shame. [:(]

Please don't misunderstand me, I'm not angry, just truly confused at all this - maybe my repeated questions are not clear enough... Oh well.
-mvanbebber

Mike,
I'm a bit confused here. You've mentioned hundreds of controller messages to create an effective dynamic with one sample.
In the Sibelius thread i recently posted, there's a description of using Sibelius with samples. It's simplistic but i'm using a laptop (a), my knowledge of programming is limited (b).
I'm assuming with the legato sample (lets say a single sample) that you're using the dynamic plugin (Cres/Dim). There's a workaround for this, and maybe it will make life easier. It depends if you're looking for a 'finished' score for presentation to a conductor, or a 'working' score with everything on it, for production of a finished product.
For the working score, use live playback, and when you want a note of any reasonable length, split and tie it together. e.g. Instead of a semibreve, put in semiquavers. Tie them together. In live playback go to menu Transform live playback. On the first note, designate your start dynamic, then the end dynamic for the last note. Highlight the bar (Blue Box.) select Cres/Dim in Tranform Live playback and click ok. The range of velocity increase will be incremental from the first to the last, and in live playback you can adjust each note individually, so whether you leave the straight lne, or introduce a curved Cres/Dim it's up to you.
I'm using a laptop here in Moscow, and with basic samples, one velocity, this is a useful method for getting a live playback as opposed to the mechanical one.
Regards,

Alex.

I didn't know that there are other libraries out there, which offers true legato samples for woodwind ensemble in multiple dynamics?

However, I think that dynamic timbre changes for woodwind ensembles legato playing are pretty small (in real world instrumentations).
For me the perf-legatos works very well in piano and forte.

A tip: I like to stack a soloinstrument with the ensembles.
For example
solo flute forte legato + flute ensemble legato = forte flute ensemble
solo flute piano legato + flute ensemble legato = piano flute ensemble

And don't worry, you won't detect the difference between three or four players.

best
Herb

@herb said:

I didn't know that there are other libraries out there, which offers true legato samples for woodwind ensemble in multiple dynamics?

However, I think that dynamic timbre changes for woodwind ensembles legato playing are pretty small (in real world instrumentations).
For me the perf-legatos works very well in piano and forte.

A tip: I like to stack a soloinstrument with the ensembles.
For example
solo flute forte legato + flute ensemble legato = forte flute ensemble
solo flute piano legato + flute ensemble legato = piano flute ensemble

And don't worry, you won't detect the difference between three or four players.

best
Herb

Herb-
These are great answers, thank you! You are right, there are no libraries that compare to VSL, which is why I didn't want to look for them. Your point about timral changes being minute is also a good point. Your tip about the stacking instruments is exactly what I was looking for- thank you!

One last question: Is there any way to crossfade stacked instruments via velocity layers?
thanks,
mvanbebber

@hermitage59 said:

Mike,
I'm a bit confused here. You've mentioned hundreds of controller messages to create an effective dynamic with one sample.
In the Sibelius thread i recently posted, there's a description of using Sibelius with samples. It's simplistic but i'm using a laptop (a), my knowledge of programming is limited (b).
I'm assuming with the legato sample (lets say a single sample) that you're using the dynamic plugin (Cres/Dim). There's a workaround for this, and maybe it will make life easier. It depends if you're looking for a 'finished' score for presentation to a conductor, or a 'working' score with everything on it, for production of a finished product.
For the working score, use live playback, and when you want a note of any reasonable length, split and tie it together. e.g. Instead of a semibreve, put in semiquavers. Tie them together. In live playback go to menu Transform live playback. On the first note, designate your start dynamic, then the end dynamic for the last note. Highlight the bar (Blue Box.) select Cres/Dim in Tranform Live playback and click ok. The range of velocity increase will be incremental from the first to the last, and in live playback you can adjust each note individually, so whether you leave the straight lne, or introduce a curved Cres/Dim it's up to you.
I'm using a laptop here in Moscow, and with basic samples, one velocity, this is a useful method for getting a live playback as opposed to the mechanical one.
Regards,

Alex.

Alex-

Thanks so much for those useful tips, I will try them now. Just to be clear, are you saying that you DO have dynamic control over just one perf_leg sample using Sibelius? If you playback a measure with piano marked in the score and then forte, you will hear a difference between the two in the same perf_legato sample? If so, then there is no problem, and my problems are solved.

thanks again,
mvanbebber

Mike,
I did assume you were trying to graduate a velocity curve, so the advice i gave was for that.
To go from Piano to Forte is even easier. Remembering that markings are ignored in LIVE PLAYBACK, you'll see above each note a blue bar (for the blue voices, green bar for the green etc.) representing velocity. Here's a example of my procedure (one of them).
I don't know how competent a keyboardist you are, so i'll assume on the side of competent.
Turn on Live Playback (The button with the lightning symbol). Record your phrase. Above each note will appear a blue vertical bar. This represents velocity. The whole bar (pale grey) is quite naturally 100%. The blue section represents the velocity of the note you have recorded. (hit it hard and it will be almost all blue, hit it soft, and there will be more grey. Easy)
At any time (while stopped) you can simply click on the bar in any place, and the note will be set to the new velocity.

Now, i said that markings were ignored in Live Playback, and that remains true. But if you record without live playback, you can still activate it.
So, you've entered your phrase, and now you wish to adjust the velocity. You've heard that your one sample HASN'T changed dynamic, despite the markings. Don't panic.
Turn on live playback (the button with the lightning symbol) Highlight your chosen phrase (Blue Box) and go to Transform Live Playback in the dropdown Play menu.
It will ask you if you wish to 'set a velocity' for each note. Use the default (I think it's 64) or set your own, then press ok. Above your phrase appears a vertical velocity box for each note, and you are at part one again.
If you wish to revert to non Live playback after, ensure you save!
This is a quick workaround develped from the frustration of using the Cres/Dim plugin, IMHO the worst part of Sibelius. (Should be integrated)

It's easy to do, and you have an advantage with VSL samples, as i'm coping with Miroslav on my little laptop while studying here.
Note, it's worth going to the thread i started in Composition, and see if the setup is useable. I don't know how you've got Sibelius wired into a sequencer, so if you turn off Live playback and your sample returns to a single velocity level, then turn live playback on on again, (and of course you saved it earlier), and record into sequencer making any neccessary audio adjustments. If you then wish to 'tidy up' the score for printing, you've got your audio recorded, and after turning off Live playback ,and any engraving adjustments, you've also got a printable score. Winner both ways.
Also note i use two scores. first the working score (playback adjustments), then adjustments to end with a printable score. I used to do it the other way round, and it took a lot longer.

Regards,

Alex.
I haven't tried to record in Sibelius with the audio track feature, so i don't know if it will work. Perhaps something to try in the future.