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Hi Vlad,
New products always come with a dedicated introductory price, and once that introductory period is over, they are added to the corresponding bundle. Same system for the Bösendorfer Imperial.
You will be best of purchasing at the introductory price.
Best,
Paul
Hi LAJ,
Glad you like our Synchro Pianos!
There is a "Concert Centered" preset included for the both pianos that have not been recorded in the center of the hall(Yamaha CFX and Bösendorfer Imperial). You will see that these are mainly paning adjustments in close and mid mics.
So this is very much a matter of perception, and you can easily adjust any "conductor's perspective" preset like that.
Best,
Paul
Hi Georgy,
It's a completely new recording of a new instrument, with multiple microphones (like all other Synchron Pianos).
Check out the videos right here, with more in the pipeline 😊
And here are all current audio demos.
Best,
Paul
Hello Paul,
Congratulations for your new piano product!
As I am (like many others here I suppose) very tempted to get one of the 3 Synchron grand pianos (Bösendorfer Imperial, Steinway & Sons D-274 and Yamaha CFX), would it be possible to have the same piece music (a duration of 30 seconds would be enough) to hear from these 3 pianos using for each standard library (e.g. Decca Tree mics) and full library (with other mics obviously) mics Decca (resulting in 6 audio files) please?
Thanks for your great products and take care!
Best regards,
Gil.
Hi LAJ,
Glad you like our Synchro Pianos!
There is a "Concert Centered" preset included for the both pianos that have not been recorded in the center of the hall(Yamaha CFX and Bösendorfer Imperial). You will see that these are mainly paning adjustments in close and mid mics.
So this is very much a matter of perception, and you can easily adjust any "conductor's perspective" preset like that.
Best,
Paul
Thanks, Paul ... I will have a look.
Best, Lars
Hello Paul,
I have bought it today.
1.
i think the new bösendorfer has much less bass than the imperial. From C3 on it sounds rather flat against the imperial.
2.
I also find the attack in player mode too strong. You notice that especially when you play the moonlight sonata. It sounds so hacked off.
3.
And with the key noise you can't hear any difference. You can turn the knob up or down and nothing happens.
Which would also interest me why the presets always have such a high pedal volume. That almost hurts my ears. No piano has such a loud pedal noise. It hisses like a steam lock.
greating Georgy
Hi Georgy,
Congrats!
1) Do you want to post an example? I don't hear that...
2) That's always a matter of taste.. I'd try to adjust the volume of the close mics... does that help?
3) Which knob is that?
Luckily, you can always adjust the pedal volume. Also, make sure that half-pedaling is ONLY activated if you actually have a pedal that works with half-pedaling (Preferences), otherwise it will indeed always be the loudest.
Best,
Paul
Hello, Paul,
1.I can't send you anything, because you can't hear it on the mobile phone recording
2. you can actually improve it with the condenser microphone
3. I put a screenshot on you. There is no effect when you turn the knob. I know the function of the ivory pianos, you can clearly hear the keystrokes.
4. yes i have a half pedal in my clp 585 yamaha. You can adjust the volume, but I don't understand why the default value for the presets is set to such a high volume (value is 0 and still so high). Presets are supposed to be there to have preconfigured values and not to have to change the value for the pedal every time.
I have to agree with Snoopy10 about the pedal noise - it's really loud on the presets, though at least (unlike the bugged Vienna Imperial) you can actually turn it right down. But really with a continous damper pedal it should be velocity sensitive, because at the moment no matter how slowly I press the pedal, when it reaches a certain threshold there's the same noise. If I move the damper pedal slowly, the damper pedal noise should be much quieter, but the "ambience" from the opened strings should still be there.
And talking about opened strings, am I missing something here, but is there supposed to be an equivalent of the Vienna Imperial's "2sus" mode? It's one of the things that, for me, really brings a piano to life.
