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  • Optimal workflow when using multitibral instruments in Cubase

    M
    M

    Hi all,

    I'm in the process of setting up my orchestral template. In many of the kontakt libraries I'm using, I'm going to be separating out short and long articulations in order to control reverb level (fairly common practice). I'm wondering how to tackle that with Vienna instruments - the sheer scale of the articulations makes this impractical, or at least that's how it appears at the moment.

    I'm using Cubase - I would be most grateful for any hints/workflow tips. This is a bit of a head-scratcher.

    Thanks!

    Mike