Again: impressive.
The worse reality shock, for a modern composer, is writing a passage in a notation program, and getting back some miserable fart from the virtual instrument. If you want the program to give you some musical meaning, you have to go to a sequencer.
This thing, on the contrary, seems alive. This is just a few bars played back by Dorico. An usual formulaic passage, not ready for production, but already living in its space and giving back some sense of the music!
Paolo