I'm considering purchasing the Synchron Steinway and am looking for some feedback on specifics from people who use it and have a good ear for the piano.
The most common issue I have - creating very sparse, closely mic'ed and dry (in terms of reverberation) music - is finding a piano library that adequately emulates the effect of playing a note twice or more in close proximity, and trilling.
I have a feeling that when one trills two notes in close proximity on a real piano that the closely resonating strings influence eachother and the sound is affected in a way I have not found captured in a library. Also, when playing a single note extremely fast, or in very close proximaty to it's previous iteration, - especially if the felt hasn't dropped - there is a change and fluxuation in sound created in part by the resonating string being restruck, I find that this usually goes unaccounted for. I've read that the VSL Bosendorfer has an algorhithm to account for this, does the Synchron have an algorhythm or some other consideration? With pedal and without pedal - how is the same note played in close temporal proximity to itself heard? Does it sound like the real thing or two samples being triggered one after the other? How are the trills?
Also, is there the possibility to generate keynoise or approximate somehow a close micing near the keys?
I'd be curious to hear feedback on any of these points.