Thank You very much for your friendly comments
Yes I the Winds and other VI-Libraries run through MIR, while you oibserved presumably with good reasons, that I should take a more diligent look on that aspect . As soon I find a moment I will spend some time on that question.
I fear the uncompromising way to chose the most ambitious and most demanding orchestral music to explore Synchron is nearly the opposite of how "Demos" are made. I do not just look for some aspects which might sound in any way appealing as a Demo-Producer will usually do. I just want that our digital tools face the real demands which the most sophisticated orchestral scores provide.
And my personal view on the results is obviously a bit more friendly and as I think more realistic: I just believe you will currently not find any other Librarys at all which will do that Job likewise or even in any better way. To be honest I would not bother myself to try it with any other since they are compared to my VSL-stuff simply in so many aspects far from being likewise ready to meet those demands.
One might think VSL is still not yet "perfect"in every moment. More realistic to me seems to be to sum up VSL is even for that kind of projects simply and by far the best most musical, versatile and most efficient available tool at all.
And since I always compare what I do with existing Orchestral recordings of the same music I assure you there are often enough situations, which makes me pretend that there is nearly nowhere any immaculate "original" Orchestra that there would not be in nearly each recording enough weak aspects of each certain interpretation and as much strength available to be realised with samples sometimes perhaps even better compared to traditional orchestral interpretations .
However still enough to learn for me to refine more and more what I am trying to do. Therefor thank you again for your friendly and helpful response.