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  • Interesting. I have only one little suggestion, the "bas level" of vibrato seems a bit too flat to me, I don't think it should ever really sound like non-vibrato. 

    Just my opinion!


  • Hi Alan,

    thank you for your comment. I changed the vibrato of a segment of the final note with Melodyne. It is a much stronger vibrato now, sounding to me more like a solo instrument, than a group of instuments playing and mixing together.

    I also changed the MIR Synchron Stage Settings from Wide Room to Narrow.

    Again, this is not Synchron Strings, but Chamber Stirngs with MIR and Synchron Stage.

    My primary goal with that excerpt was to get the phrasing right by manipulating the attacks of the notes.. Don't know if I succeded, but I think it's the key to a convincing performance, whatever Library has been used.

    http://www.teluff.com/tel/Villa-Lobos-Violas-Chamber-Strings.mp3

    Stefan


  • You are definitely right about the variety of attacks: these are so many ways the bow can contact the string! :-) I still find that my ears also want more variety of rubato.