Hi Beat,

At last, a demo that shows off a positive side of Synchron Strings. I think a lot of us agree that the shorts are great (pizz too, but I felt they poked out a bit too much in your mix - a minor nitpick, sorry).

To you Beat or VSL, how about an overtly legato demo, say the Barber Adagio which is not difficult to input notewise and apart from the legato, would also highlight the emotional intensity inherent in the samples and the breadth of the dynamics? 

Great sound all the same Beat and nice programming.

I think it sounds vey good. Highlights the strengths of the library. It's perhaps a bit too clean and perfect for my personal taste, but that can be adjusted should one feel the need in their own productions. I think the samples sound very good and the mockup is expertly done.

At the same time, it also kind of shows why VSL often gets the "synthy demos" rep. I think that this kind of music still shows the limitations of sampling. This kind of dense, intricate and busy material more quickly results in that certain "stacked MIDI", organ-like sound. There's some of that here as well, but overall for samples I think it's on a high level and some other libraries would completely fall apart in the same situation.

Traditionally, one could always find more baroque and classical adaptations on the VSL website than in the demo sections of other companies, who mostly make sure to showcase pieces that were specifically written to the samples in order to show the library in its best light. I think sometimes people hear a more complex piece of music done with VSL and think it sounds terribly synthy compared to what they heard from some other library, but forget that they never heard that other library attempting the same piece of music.

Hi Beat thank you for your interesting experiments with your former Cube(?)-Demo.

Like you I am so happy about the anbility of the dimensionstrings to meet the demands of modern Baroqu-interpretation, that I didn't dare to use the Synchron Strings I for Baroque-music.

The more interesting are your "remix" experiments. I think already "b" indicated that Synchron Strings are even in this Style quite useable as soon "a bit Tail" is added. Meanwhile the Synchron-Stage adds a lot possible realworld ambience (you currently seem not yet to included in your mix, it is still a "studio" and may be not as dry as the silent stage but in opposite to other competitors with multimicrophoen samplsets still so clear and transparent, that the final mix allows to add as you did "a bit tail" as they would presumably likewise do with every Orchestra recording in the same studio. 

So if you ask me imho the most impressive difference in respect to realism I hear between a and b.

I am actually not sure if I would tend to combine Synchron and VI-Libraries more than absolutly necessary, since as some other noticed elsewhere in this Forum, one of the great advantages of the Synchron-Libraries seem to be, that they fit so much better together in the mix, than any previous library did befor. In short to do what you reasonable did with combining Solo and Section-Samplesets, I hope we will sooner or later will get also Synchron Firstchair/Solostrings and maybe even other section sizes to do excactly what you did with combining Synchron with the previous Solostrings.

@JimmyHellfire said:

I think sometimes people hear a more complex piece of music done with VSL and think it sounds terribly synthy compared to what they heard from some other library, but forget that they never heard that other library attempting the same piece of music.

You've got it 👍

Hi all
Thanks for the positive and kind feedback.

Hi mh-7635
Yes, the demo music has a few pinpricks. But the demo does not claim to be perfect. For the last 20% perfection you have to spend 80% of the time. Unfortunately, I do not have them. I also used not a lot of Dekka Tree so the Strings sound maybe a little too close specially for those who are normally using MIR.
Those results sound mostly too distant in my mind. So tastes are different...

Demo with a different style of music - Barber-Adagio?
For a piece of music to sound great, you should like the music itself. Since I was able to record a few Barber-Adagio arrangements with Brass, the string version has lost its appeal a bit to me.
As indicated above, I want to try it with a waltz - the Kaiserwalzer or Viennese Blood. Such a demo does not exist yet. That's why this appeals to me more than just filling in the 100th Barber-Adagio version. One more thing: simply that's just the notes. If you have ever produced a slow piece, then you know how difficult it is to bring life into the dead long-sounding samples samples.
The Strauss Waltzes need the size of a symphony orchestra. Exactly what the Synchron Strings are made for. We want to see how they can solve the job.

About demos from other libraries
Many other libraries come only with the dramatically and rhythmically played staccato throughout the orchestra, just as today obviously all film music has to sound. At least that's what the "Synchron Strings" can do just as well.

BTW: An orchestral library from Steinberg has just come out. When you listen to the first 3 demos: once more Staccato-film-music as I mentioned above... Furthermore, I believe that you have to see the current string library as part of the whole symphony orchestra. It will definitely do a well job. For more expression - where you can hear the fingers tapping - VSL will surely deliver synchron -solo, -dimension or as they will be called then.

All the best and later in July - with a walz

Beat

I have to agree that the old version sounds way more realistic and convincing.

Hi, 

FIrst of all: Thanks, Beat!

I think that this is very much a mixing question. I assume that the demo was rendered with the Room-Mix Presets, and I'd be very interested to see which other impressions can be achieved with a different mixing approach.

Best, 
Paul

Thanks Paul

I just added another Playermix in my starting text.

Beat

C² , beautiful! Thanks Beat!