I think that some are disappointed because they were expecting the Chamberstrings or another Dimensionstrings library - now simply integrated with "space".
But this is a string orchestra of great proportions - similar to the Appassionata Strings and not for playing Baroque Music
I recommend everyone to listen to a bit of film music on youtube and listen to the Legatos. There is not much left of the intimate "transition noise", as we are e.g. used to from the Chamberstrings. Listen for example to this track:
I believe that such music can be played without a problem with the sync strings. But try such a piece with the rather thin sound of the Dimension strings... So it certainly depends on what one uses the Synchrons or the Dimensions. The right library for the right music so to say. Furthermore, I noticed when trying out, that you can make incredible pressure with these strings. There's a lot of potential in that. Unfortunately, I have not had time to try out the library with the new player until now, so I'm with "fahl5": First we have to learn how to use this library properly and also for what kind of music style.
Likewise with this library, too, one can combine them e.g. with the solo strings. The contrast is so great that this probably leads to results as in André Rieu's music:
I claim to be able to produce such a similar result with the solo violin and the SynchronStrings 1 as well...
All the best
Beat
It is great to hear from a true VSL expert like Beat Kaufmann as well as the amazing fahl5. These guys know what they are talking about from years of experience. Synchron is a new library, with a new style. I love the sound and am just starting to get familiar with it. It is awesome. Huge. It will take some time to learn what is there.